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From 1948 to 1954, Scharf was arranger-conductor for the Phil Harris-Alice Faye radio show. A ten-time Oscar nominee, Scharf worked on more than 100 films, receiving nominations for his musical direction on such pictures as Danny Kaye's Hans Christian Andersen (1952), Barbra Streisand's Funny Girl (1968) and Willy Wonka and the Chocolate Factory (1971). In the early 1960s he was approached by Harold Lloyd to provide new scores for his silent film compilations. Lloyd regarded Scharf's ability to mix comedy themes with big, dramatic orchestral touches as ideal for his brand of 'thrill' comedy.
Scharf composed music for dozens of 1960s television dramas including Ben Casey, The Man From U.N.C.L.E. and Mission: Impossible, although he became best-known for his music for the National Geographic and The Undersea World of Jacques Cousteau documentaries, which he scored between 1965 and 1975. He received two Emmys for the Cousteau series, in 1970 and 1974, and composed an original symphonic work, The Legend of the Living Sea, for a Cousteau museum exhibit aboard the RMS Queen Mary in 1971. Scharf's initial work for the concert hall was The Palestine Suite, written in 1945 and performed at the Hollywood Bowl under Leopold Stokowski. After retiring from films and TV in the 1980s, he returned to concert writing, notably with The Tree Still Stands: A Symphonic Portrait of the Stages of a Hebraic Man, first performed in 1989, and the 1993 Israeli Suite. Scharf wrote an unproduced opera based on Norman Corwin's The Plot to Overthrow Christmas and received the Golden Score Award from the American Society of Music Arrangers and Composers in 1997.
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