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They completed their first UK tour in Summer 2006 which took them from Scotland to London stopping off at some of the best venues on the way including; The ABC-Glasgow, The Boardwalk-Sheffield, Fibbers-York, The Night & Day-Manchester, The Cockpit-Leeds and The Dublin Castle-London. They have shared the stage with We Are Scientists, Milburn, The Pigeon Detectives, Wolf & Cub, Hey Gravity! (ex. Dodgy guitarists new band), The Lovers (ex. Inspiral Carpets) and many more established artists. Their music found its way into HMV in 2005. REVIEW SNIPPETS... Sandman Magazine - The Touch / Jon Jones and the Beatniks Movement @ The Love Apple, Bradford. "...they made more of an impression with their eclectic look and more original sound. Called up at the last minute to replace Harmacy and Buen Chico, The Touch saved the day with their 60’s rock modernised by an interesting use of effects pedals. There was a real energy about their playing, not to forget the fact the drummer was threatening to tear his skins with the intensity of his pounding. Just back from their self organised UK tour they were an interesting, if a little unexpected, addition to the gig which could have been decidedly bare without them."
Vibrations Magazine - "The Pigeon Detectives/The Touch-Shine On @ Joseph's Well, Leeds, "This is by far the most energetic performance of the night so far with the lead singer jumping around the stage like he owns the damn thing, to say this lad has a presence is an understatement and to me he seems like he has been partying for the last few days and just seemed to find himself at Joseph's Well onstage with a band!" Glasswerk Leeds - "Refreshing blends of uplifting guitar music give you pockets of joy. Light vocals that blast from the 60s, quality." Studentguru - "The singing is raw and powerful, the guitars are spikey and relentless...I can imagine their live show is a fast and frenzied affair...You can tell someone with a dab of star quality about them...By the second song the drummer walks on stage with a pint in his hand, and the lead singer cant remember the title of the next song...Then as the three of them hurl themselves into their set they become a tight competent outfit...Tribal Specteresque drums, waves of guitar lashing against the walls and ceiling.....I highly recommend this band...buy the cd...see them live...you will certainly not be disappointed!" Heathenangel - "Ones to watch for the future for definite."
http://www.thetouchuk.com/ - band website http://myspace.com/THETOUCHUK - band Myspace http://www.bbc.co.uk/bradford/music/unsigned/the_touch.shtml - BBC Raw Talent Profile
For the song, see The Transformers: The Movie#Soundtracks.
The Touch (originally titled Beröringen) is a 1971 film directed by Ingmar Bergman and starring Max von Sydow, Bibi Andersson, Elliot Gould, and Sheila Reid.
PlotSpoiler warning: Plot and/or ending details follow.
Andreas and Karin Vergerus (von Sydow and Andersson) live in fine rapport, their personalities matching well. Both are quiet, contemplative, and very rational persons, not liable to act spontaneously. The intruder, "David Kovac", played by Elliott Gould, is in contrast an impetuous man, uncompromising, overbearing, and tormented by inner contradictions and compulsions. Karin and David become clandestine lovers, but aren't appropriate for each other. Before they meet David attempted suicide and Karin was unhappy to be reduced to a wife. They flower in their new love and it destroys their lives. Spoilers end here.
ThemesInstead the question of why Karin turns away from Andreas seems intentionally perplexing. The dialogue and acting of the lovers is cerebral and cold, as if they were reciting dazedly on a stage, astounding themselves with their actions and feelings, and acting on an impulse isolated from their personalities. This impulse or drive is not eros, as especially at the beginning of their affair sex is more of a problem than a release for the lovers. The central metaphor of the film is a medieval wooden statue of Mary, recently excavated after being buried for centuries, analogous to Gould's and Andersson's potential to be lovers or man and woman. But with the disinterment of the Mary, insect larvae come alive inside her, corroding her from within, much as David and Karin's awakening causes them similar destruction. Cast (in credits order)
Rest of cast listed alphabetically
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