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The History of The Decline and Fall of the Roman Empire, a major literary achievement of the 18th century published in six volumes, was written by the celebrated English historian Edward Gibbon. Volume I was published in 1776, and went through six printings (a remarkable feat for its time). Volumes II and III were published in 1781; volumes IV, V, VI in 1788. The original volumes were published as quartos, a common publishing practice of the time.
Gibbon is sometimes called the first "modern historian of ancient Rome."[1] By virtue of its mostly objective approach and highly accurate use of reference material, Gibbon's work was adopted as a model for the methodologies of 19th and 20th century historians. His pessimism and detached use of irony was common to the historical genre of his era. Although he published other books, Gibbon devoted much of his life (1772-1789) to this one work. His autobiography Memoirs of My Life and Writings is devoted largely to his reflections on how the book virtually became his life. He compared the publication of each succeeding volume to the birth of a child.[2] Gibbon's theoryThe book is famous not only because it is extraordinarily well written, but also because Gibbon offers an explanation for why the Roman Empire fell. This is one of the great historical questions, and, because of the relative lack of written records from the time, one of the most difficult to undertake. Gibbon was not the first to theorise about this. In fact most of his ideas are directly taken from Roman moralists of the 4th and 5th centuries who wrote about it at the time; nor would he be the last; see for example Henri Pirenne's Thesis of the early 20th century.
In addition Gibbon attacked Christianity. Christianity, he says, created a belief that a better life existed after death. This fostered indifference to this life among Roman citizens, thus sapping their desire to sacrifice for the Empire. He also believed its comparative pacifism tended to sap the traditional Roman martial spirit. Finally, like other Enlightenment thinkers, Gibbon held in contempt the Middle Ages as a priest-ridden, superstitious, dark age. It was not until his own age of reason and rational thought, it was believed, that human history could resume its progress. Gibbon's use of citationsGibbon provides the reader with a glimpse of his thought process with extensive notes along the body of the text, a precursor to the modern use of footnotes. Gibbon's footnotes are famous for their idiosyncrasies. They provide an entertaining moral commentary on both ancient Rome and 18th-century Great Britain. This technique enabled Gibbon to compare ancient Rome to modern times. Gibbon's work advocates a rationalist and progressive view of history. Gibbon's citations provide in-depth detail regarding his use of sources for his work on ancient Rome, documents dating back to ancient Rome. The detail within his asides and his care in noting the importance of each document is a precursor to modern-day historical footnoting methodology. The work is notable for its erratic but exhaustively documented notes and research. John Bury, following him 113 years later with his own "History of the Later Roman Empire," utilized much of the same research, and commented admiringly of the incredible depth and accuracy of Gibbon's work. It is notable that Bury, over a century after Gibbon, and Heather, over a century after Bury, both based much of their own work on Gibbon's factual research. Both found little to argue with his facts, though both disagreed with his theories, primarily on Christianity as a prime factor in the Empire's decline and fall. Unusual for the 18th century, Gibbon was notably not content with secondhand accounts when the primary sources were accessible, and used them so well that even today historians still cite his work as the definitive factual history of the western empire. "I have always endeavoured," Gibbon wrote, "to draw from the fountain-head; that my curiosity, as well as a sense of duty, has always urged me to study the originals; and that, if they have sometimes eluded my search, I have carefully marked the secondary evidence, on whose faith a passage or a fact were reduced to depend." [4] Decline and Fall is a literary monument, and a massive step forward in historical method.[5] Controversy: chapters XV, XVIWhen Volume I was first published, it was introduced in quartos. The first two were well received and widely praised. The last quarto in Volume I, especially Chapters XV and XVI, were highly controversial, and Gibbon was declared "paganist". Gibbon attacked Christian martyrdom as a myth by deconstructing official Church history that had been perpetuated for centuries. Because the Roman Church had a virtual monopoly on its own history, its own Latin interpretations were considered sacrosanct, and as a result the Church's writings had rarely been questioned before. For Gibbon, however, the Church writings were secondary sources, and he eschewed them in favour of primary sources contemporary to the period he was chronicling. This is why Gibbon is referred to as the "first modern historian". According to Gibbon, Romans were far more tolerant of Christians than Christians were of one another, especially once Christianity gained the upper hand. Christians inflicted far greater casualties on other Christians than were ever inflicted by the Roman Empire. Gibbon extrapolated that the number of Christians executed by other Christian factions far exceeded all the Christian martyrs who died during the three centuries of Christianity under Roman rule. This was in stark contrast to orthodox Church history, which insisted that Christianity won the hearts and minds of people largely because of the inspirational example set by its martyrs. Gibbon demonstrated that the early Church's custom of bestowing the title of martyr on all confessors of faith grossly inflated the actual numbers. Gibbon compares how insubstantial that number was, by comparing it to more modern terms. He compared both the reigns of Diocletian (284-305), and Charles V (1519-1556) and the electorate of the Holy Roman Empire, making the argument that both were remarkably similar. Both emperors were plagued by continuous war and compelled to excessive taxation; both chose to abdicate as Emperors at roughly the same age; and both chose to lead a quiet life upon their retirement. Gibbon's critics were scathing in their attack on this particular line of argument. Numerous tracts were published criticising his work, and Gibbon was forced to defend his work in reply. He left London to finish the following volumes in Lausanne, where he could work in solitude. Gibbon's legacyGibbon’s methodology was so accurate that, to this day, little can be found to controvert his use of primary sources for evidence. While modern historical methodology has changed, his skill in translation of his sources was impeccable. Contemporary historians still rely on Gibbon as a secondary source to substantiate references. His literary tone is old-fashioned, skeptical, and pessimistic; it mirrors both the man and the topic: the gradual decay of a mighty empire. Variations on the series title (including using "Rise and Fall" in place of "Decline and Fall") have been used by other writers:
and the music album: and the film: In addition, Isaac Asimov's Foundation series,an epic tale of the fall and rebuilding of a galactic empire, was inspired by Gibbons' book. CriticismScholarly criticism of Gibbon's view that Christianity was the most important factor in the eventual decline of the Empire is widespread. Historians such as David S. Potter and Fergus Millar dispute Gibbon's claims that the Empire fell as a result of a kind of lethargy towards current affairs brought on by Constantine's adoption of Christianity as the official state religion. They claim that such a view is "vague" and has real little evidence to support it. Others such as J.B. Bury, who wrote a history of the later Empire, claimed that there is "no evidence" to support Gibbon's claims of Christian apathy towards the Empire. It has often been alleged that Christianity in its political effects was a disintegrating force and tended to weaken the power of Rome to resist her enemies. It is difficult to see that it had any such tendency, so long as the Church itself was united. Theological heresies were indeed to prove a disintegrating force in the East in the seventh century, when differences in doctrine which had alienated the Christians in Egypt and Syria from the government of Constantine facilitated the conquests of the Saracens. But after the defeat of Arianism, there was no such vital or deep-reaching division in the West, and the effect of Christianity was to unite, not to sever, to check, rather than to emphasise, national or sectional feeling. In the political calculations of Constantine it was probably this ideal of unity, as a counterpoise to the centrifugal tendencies which had been clearly revealed in the third century, that was the great recommendation of the religion which he raised to power. Nor is there the least reason to suppose that Christian teaching had the practical effect of making men less loyal to the Empire or less ready to defend it. The Christians were as pugnacious as the pagans. Some might read Augustine's City of God with edification, but probably very few interpreted its theory with such strict practical logic as to be indifferent to the safety of the Empire. Hardly the author himself, though this has been disputed.[6] Others such as Byzantologist John Julius Norwich, despite their admiration for his admittedly brilliant work on furthering historical methodology, consider Gibbon's views on the Byzantine Empire flawed and blame him somewhat for the lack of interest shown in the subject throughout the 19th and early 20th centuries.[7] Today Gibbon's views on the reasons for the collapse of the Western Empire are not widely held among historians who tend to consider economic factors more important. EditionsNote: Gibbon continued to revise and change his work even after publication. The complexities of the problem are addressed in Womersley's introduction and appendices to his complete edition.
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