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HistoryFormation and signing to PhillesIn the late 1950s, Barbara Alston, Mary Thomas, Delores "Dee Dee" Kennibrew, Myrna Gerrard and Patricia "Patsy" Wright formed The Crystals in high school under the leadership of Alston's uncle, Benny Wells. Soon, the quintet signed with Phil Spector's label Philles Records. Spector then chose Alston to be the group's lead singer, which made her very uncomfortable since she had a fear of singing in front of audiences.
The "Replacement" CrystalsSoon after "He Hit Me" flopped, Phil Spector began recording singer Darlene Love and her backing group The Blossoms under the name "The Crystals". Legend has it that the real Crystals were not able to travel from New York to Los Angeles fast enough to suit the LA-based Spector, who wanted to quickly record and release "He's a Rebel" (written by Gene Pitney) before anyone else had a chance to cover it and have a hit with it. A version recorded by Vikki Carr was about to be released, for example. The Crystals were unavailable, but Love and the Blossoms were also based in LA, so Spector recorded them and put the record out under The Crystals' banner. "He's A Rebel" is perhaps the Crystals' most well-remembered and beloved song, and one of the most enduring of the girl group genre.[citation needed] It was also their only US #1 hit. The follow-up Crystals single, "He's Sure the Boy I Love", in actuality also featured Love and The Blossoms. It reached a very respectable #11 on the Billboard chart, and features a classic spoken intro by Darlene Love. The "Let's Dance The Screw" SagaThe next single credited to The Crystals is one of the rarest -- and also possibly the strangest -- in rock music history. Reports vary as to the actual motivation behind the recording, but most agree that Phil Spector was looking for a way to annoy former business partner Lester Sill. What he came up with was a nearly six-minute song called "Let's Dance The Screw - Part I", which would be unplayable on 1963 radio. The record featured simple instrumentation (very much unlike Spector's famous Wall of Sound production style), repetitive lyrics, and Spector himself intoning the lyric "Dance The Screw" numerous times in a deadpan monotone. (The B-side, Part II, was more of the same.) The Crystals sang the song's repetitive verses, though it is unclear if these singers were the 'real' Crystals or The Blossoms. Incidentally, some accounts mention that Spector's lawyer is actually the man intoning "Dance The Screw."
The "Real" Crystals ReturnThough it's unclear as to the level of their participation in "Let's Dance The Screw", the 'real' Crystals definitely began recording again under their own name in 1963. However, Thomas had departed to get married, only to join another, mildly successful group, The Butterflys, along with another original Crystal, Merna Girard. This reduced the group to a quartet, and Alston, never comfortable with being out front, stepped down from the lead spot giving it to Brooks. According to Brooks, she had been doing Alston's leads in their live shows for a while. After "Let's Dance The Screw", the group's next release was the classic "Da Doo Ron Ron." According to Darlene Love, the track was originally recorded by The Blossoms, with Love on lead vocal. Prior to release, Spector erased Love's lead vocal and replaced it with a vocal by LaLa Brooks, although he kept the Blossoms' backing vocals in place. [If you listen closely to the bottom note, you can hear Cher's unmistakeable voice beefing up the backing vocals.] The song was a top 10 hit in both the US and the UK, as was the follow-up single "Then He Kissed Me-" the first Crystals single since "He Hit Me" to feature all members of the Crystals as a definite group. Both "Da Doo Ron Ron" and "Then He Kissed Me" were penned by Spector with Jeff Barry and Ellie Greenwich. Mounting tension and break-upDespite the steady flow of hit singles, tensions between Spector and the Crystals mounted. Already unhappy with having been replaced by Love and company on two singles, The Crystals were even more upset when in 1964, Spector began focusing much of his time on his other girl group The Ronettes. Two failed Crystals singles followed, before the band left Spector's Philles Records for United Artists Records later in 1964. "Little Boy" (#92) was a Wall Of Sound production of monstrous proportions, with the girls' voices barely distinguishable from the music; "All Grown Up," their final single (two versions exist), rocks on the released 45 version but only reached #98. 1964 also saw the departure of Wright who was replaced by Frances Collins, a dancer who they had met while touring; toward the end of that year Alston departed leaving the group a trio. One more single was released by Barbara, Dee Dee and Mary on the tiny Michelle Records in 1967. They disbanded in 1967 (see 1967 in music). They reunited in 1971 (see 1971 in music) and toured widely in varying incarnations on the oldies circuit; they still perform today. Kennibrew is the only original Crystal who remained active throughout their touring from the seventies to the present, finally claiming the rights to the Crystals name away from Spector. Trivia and Cultural Use
AlbumsStandard albums
9 of the 12 tracks on "He's A Rebel" had also appeared on "Twist Uptown" Compilations
SinglesBarbara Alston on lead vocals
Darlene Love on lead vocals
Dolores "LaLa" Brooks on lead vocals
no:The Crystals sv:The Crystals
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