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Instrument designImage:Steinberger bass.jpg Famous L-series "headless" Steinberger bass. The most famous Steinberger design is the L-series instrument, described as "broom", "boat oar" or "cricket bat" shaped. Initially produced as an electric bass and later as a guitar, the instrument was made entirely of a graphite and carbon fibre mix in two pieces. It had no headstock for tuning, tuning instead at a redesigned tailpiece using micrometer-style tuners and special strings with a ball at both ends. This design quickly became known as "headless". The rationale for the overall design was the elimination of unnecessary weight, such as a heavy headstock, and the use of modern materials, such as graphite, for their advantages over older materials.
Another innovation created by Ned Steinberger for these instruments was the Trans-Trem, a transposing assembly that detuned the strings in parallel so that the entire tuning of the instrument could be changed immediately. Bass and guitar versions were available. Later designs included
Several companies licensed the headless technology from Steinberger and produced all-wood clones or similar instruments. Hohner, for example, produced all-wood L-series copies and Cort produced headless guitars with different body designs. Current "official" all-wood instruments are sold under the Spirit by Steinberger brand. History and production
With changing musical fashions and the complex manufacturing and high prices putting off buyer and producer alike, Gibson stopped selling Steinberger guitars in the late 1990s. Enthusiasm for the instruments has now revived to a sufficient extent that they are again being produced and sold. The latest Steinberger line, known collectively as the Synapse line, comprise two guitar models and one bass guitar model. The new instruments are part wood, part graphite composite. The two guitar models most resemble the original Steinbergers, with rectangular bodies only slightly larger than the originals. One of the guitar models, the Trans Scale model, features a longer than average scale length and a built in adjustable capo. By moving the capo closer to the end of the neck, one can play notes lower than standard guitar tuning without having to detune. Detuning loosens the strings, changing the timbre of the notes played. By not forcing guitarist to detune to get lower notes, the Trans Scale allows guitarists to maintain consistent tone while playing lower than standard notes. ImitationsThe Washburn Bantam was an unlicensed 1980s imitation of the Steinberger Headless style. The Bantam did not require the double-ball end strings of the Steinberger. The Hohner Jack Bass was a licensed imitation, and used the same patented locking and tuning system as the L series, although without the graphite neck. As such, it required double-ball end strings in the same way as the Steinberger originals.
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