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OverviewSeppuku was a key part of bushido, the code of the samurai warriors; it was used by warriors to avoid falling into enemy hands, and to attenuate shame. Samurai could also be ordered by their daimyo (feudal lords) to commit seppuku. Later, disgraced warriors were sometimes allowed to commit seppuku rather than be executed in the normal manner. Since the main point of the act was to restore or protect one's honor as a warrior, those who did not belong to the samurai caste were never ordered or expected to commit seppuku. Samurai women could only commit the act with permission. In his book The Samurai Way of Death, Samurai: The World of the Warrior (ch.4), Dr. Stephen Turnbull states:
Sometimes a daimyo was called upon to perform seppuku as the basis of a peace agreement. This would weaken the defeated clan so that resistance would effectively cease. Toyotomi Hideyoshi used an enemy's suicide in this way on several occasions, the most dramatic of which effectively ended a dynasty of daimyo forever, when the Hōjō were defeated at Odawara in 1590. Hideyoshi insisted on the suicide of the retired daimyo Hōjō Ujimasa, and the exile of his son Ujinao. With one sweep of a sword, the most powerful daimyo family in eastern Japan was put to an end. James Clavell, in Shōgun, says that seppuku may have originated, not as a positive good but as the lesser of two evils. The code of bushido, unlike the European codes of chivalry, didn't forbid mistreatment of prisoners or other helpless people. For this reason, a samurai had a reasonable expectation of being tortured after surrendering and would therefore be reluctant to be taken alive. (This would imply that Japanese tortures were unusually frightful, if seppuku was the lesser evil.) RitualImage:Wakisashi-sepukku-p1000699.jpg A tantō prepared for seppuku Image:Femme-47-ronin-seppuku-p1000701.jpg Women have their own ritual suicide, jigai. Here, the wife of Onodera Junai, one of the Forty-seven Ronin, prepares for her suicide; note the legs tied together, a female feature of seppuku to ensure a "decent" posture in death In time, committing seppuku came to involve a detailed ritual. A Samurai was bathed, dressed in white robes, fed his favorite meal, and when he was finished, his instrument was placed on his plate. Dressed ceremonially, with his sword placed in front of him and sometimes seated on special cloths, the warrior would prepare for death by writing a death poem. With his selected attendant (kaishakunin, his second) standing by, he would open his kimono (clothing), take up his wakizashi (short sword) or a tantō (knife) and plunge it into his abdomen, making a left-to-right cut. The kaishakunin would then perform daki-kubi, a cut in which the warrior was all but decapitated (a slight band of flesh is left attaching the head to the body). Because of the precision necessary for such a maneuver, the second was often a skilled swordsman. The principal agreed in advance when the kaishaku made his cut, usually as soon as the dagger was plunged into the abdomen. This elaborate ritual evolved after seppuku had ceased being mainly a battlefield or wartime practice and become a para judicial institution (see next section). The second was usually, but not always, a friend. If a defeated warrior had fought honorably and well, an opponent who wanted to salute his bravery would volunteer to act as his second. In the Hagakure, Yamamoto Tsunetomo wrote:
Some samurai chose to perform a considerably more taxing form of seppuku known as jūmonji-giri (十文字切り, lit. "cross-shaped cut"), in which there is no kaishakunin to put a quick end to the samurai's suffering. It involves a second and more painful vertical cut across the belly. A samurai performing jumonji-giri was expected to bear his suffering quietly until perishing from loss of blood, passing away with his hands over his face. Seppuku as capital punishmentWhile the voluntary seppuku described above is the best known form and has been widely admired and idealized, in practice the most common form of seppuku was obligatory seppuku, used as a form of capital punishment for disgraced samurai, especially for those who committed a serious offense such as unprovoked murder, robbery, corruption, or treason. The samurai were generally told of their offense in full and given a set time to commit seppuku, usually before sunset on a given day. If the sentenced was uncooperative, it was not unheard of for them to be restrained, or for the actual execution to be carried out by decapitation while retaining only the trappings of seppuku; even the short sword laid out in front of the victim could be replaced with a fan. Unlike voluntary seppuku, seppuku carried out as capital punishment did not necessarily absolve the victim's family of the crime. Depending on the severity of the crime, half or all of the deceased's property could be confiscated, and the family stripped of rank. The Western experienceThe first recorded time a Westerner saw formal seppuku was the "Sakai Incident" of 1868. On February 15, eleven French sailors of the Dupleix entered a Japanese town called Sakai without official permission. Their presence caused panic among the residents. Security forces were dispatched to turn the sailors back to their ship, but a fight broke out and 11 sailors were shot dead. Upon the protest of the French representative, compensation of 15,000[citation needed] yen was paid and those responsible were sentenced to death. The French captain was present to observe the execution. As each samurai committed ritual disembowelment, the gruesome nature of the act shocked the captain, and he requested a pardon, due to which nine of the samurai were spared. This incident was dramatized in a famous short story, Sakai Jiken, by Mori Ogai. Image:Seppuku-J. M. W. Silver.jpg Photo from "Sketches of Japanese Manners and Customs", by J. M. W. Silver, Illustrated by Native Drawings, Reproduced in Facsimile by Means of Chromo-lithography, published in London in 1867 In the 1860s, The British Ambassador to Japan, Algernon Bertram Freeman-Mitford (Lord Redesdale) lived within sight of Sengaku-ji where the Forty-seven Ronin are buried. In his book Tales of Old Japan, he describes a man who had come to the graves to kill himself: I will add one anecdote to show the sanctity which is attached to the graves of the Forty-seven. In the month of September 1868, a certain man came to pray before the grave of Oishi Chikara. Having finished his prayers, he deliberately performed hara-kiri, and, the belly wound not being mortal, dispatched himself by cutting his throat. Upon his person were found papers setting forth that, being a Ronin and without means of earning a living, he had petitioned to be allowed to enter the clan of the Prince of Choshiu, which he looked upon as the noblest clan in the realm; his petition having been refused, nothing remained for him but to die, for to be a Ronin was hateful to him, and he would serve no other master than the Prince of Choshiu: what more fitting place could he find in which to put an end to his life than the graveyard of these Braves? This happened at about two hundred yards' distance from my house, and when I saw the spot an hour or two later, the ground was all bespattered with blood, and disturbed by the death-struggles of the man. Mitford also describes his friend's eyewitness account of a Seppuku: There are many stories on record of extraordinary heroism being displayed in the hara-kiri. The case of a young fellow, only twenty years old, of the Choshiu clan, which was told me the other day by an eye-witness, deserves mention as a marvellous instance of determination. Not content with giving himself the one necessary cut, he slashed himself thrice horizontally and twice vertically. Then he stabbed himself in the throat until the dirk protruded on the other side, with its sharp edge to the front; setting his teeth in one supreme effort, he drove the knife forward with both hands through his throat, and fell dead. During the Meiji Restoration, the Tokugawa Shogun's aide committed Seppuku: One more story and I have done. During the revolution, when the Taikun (Supreme Commander), beaten on every side, fled ignominiously to Yedo, he is said to have determined to fight no more, but to yield everything. A member of his second council went to him and said, “Sir, the only way for you now to retrieve the honour of the family of Tokugawa is to disembowel yourself; and to prove to you that I am sincere and disinterested in what I say, I am here ready to disembowel myself with you.” The Taikun flew into a great rage, saying that he would listen to no such nonsense, and left the room. His faithful retainer, to prove his honesty, retired to another part of the castle, and solemnly performed the hara-kiri. In his book Tales of Old Japan, Mitford describes witnessing a hara-kiri [1]:
Seppuku in modern JapanSeppuku as judicial punishment was officially abolished in 1873, shortly after the Meiji Restoration, but voluntary seppuku did not completely die out. Dozens of people are known to have committed seppuku since then, including some military men who committed suicide in 1895 as a protest against the return of a conquered territory to China[citation needed]; by General Nogi and his wife on the death of Emperor Meiji in 1912; and by numerous soldiers and civilians who chose to die rather than surrender at the end of World War II. In 1970, famed author Yukio Mishima and one of his followers committed public seppuku at the Japan Self-Defense Forces headquarters after an unsuccessful attempt to incite the armed forces to stage a coup d'état. Mishima committed seppuku in the office of General Kanetoshi Mashita. His kaishaku, a 25-year-old named Masakatsu Morita, tried three times to ritually behead Mishima but failed; his head was finally severed by Hiroyasu Koga. Morita then attempted to commit seppuku himself. Although his own cuts were too shallow to be fatal, he gave the signal and he too was beheaded by Koga. In 1999, Masaharu Nonaka, a 58-year-old employee of Bridgestone in Japan, slashed his belly with a sashimi knife to protest his forced retirement. He died later in the hospital. This suicide, which became widely known as 'risutora seppuku', was said to represent the difficulties in Japan following the collapse of the bubble economy. Cultural ImpactSeppuku is occasionally used as a metaphor to imply excessive self-punishment. Well-known people who committed seppuku
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