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Although recognizable Ruritanian Romances (such as Robert Louis Stevenson's Prince Otto) were written prior to Anthony Hope's The Prisoner of Zenda, it set the type with its adventure restoring the rightful king to the throne and produced a period of popular fiction: George Barr McCutcheon's Graustark novels, Frances Hodgson Burnett's The Lost Prince, Andre Norton's The Prince Commands. The genre was widely spoofed and parodied, as well. George Bernard Shaw's Arms and the Man parodied many elements. Dorothy Sayers's Have His Carcase featured as the murder victim a man deceived by his murderers because of his foolish belief in his royal ancestry, fed by endless reading of Ruritanian Romances. In Vladimir Nabokov's Pale Fire, the main narrator has the delusion of being the incognito king of a "distant northern land" who romantically escaped a Soviet-backed revolution.[1] The popularity of the genre declined after the first part of the twentieth century. Beside the usual effect of fashion, the royalist elements of Ruritanian Romances became less plausible as many European kings receded even from memory to become parts of history, and restorations grew less likely.
Many elements of the genre have been transplanted into fantasy worlds, particularly those of fantasy of manners and alternate history. These stories are sometimes still referred to as Graustarkian or Ruritanian.
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