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The art of the portrait flourished in Roman sculptures, where sitters demanded realistic portraits, even unflattering ones. During the 4th century, the portrait began to retreat in favor of an idealized symbol of what that person looked like. (Compare the portraits of Roman Emperors Constantine I and Theodosius I at their entries.) In Europe true portraits of the outward appearance of individuals re-emerged in the late Middle Ages, in Burgundy and France. One of best-known portraits in the Western world is Leonardo da Vinci's painting titled Mona Lisa, which is a painting of an unidentified woman. The worlds oldest known portrait was found in 2006 by a local pensioner, Gérard Jourdy, in the Vilhonneur grotto near Angoulême and is thought to be 27,000 years old[1].
Portrait paintingPortrait painting is a genre in painting, where the intent is to depict the visual appearance of the subject, mostly a person, whereas the portrait is expected to show the essence of the subject. The term 'portrait painting' can also describe a painted portrait. Portrait painting has a long history as an artform. Portrait photographyImage:PeterLorre.jpg Yousuf Karsh portrait of Peter Lorre, 1946.
Since the dawn of photography, people have made portraits. The popularity of the daguerreotype in the middle of the 19th century was due in large part to the demand for inexpensive portraiture. Studios sprang up in cities around the world, some cranking out more than 500 plates a day. The style of these early works reflected the technical challenges associated with 30-second exposure times and the painterly aesthetic of the time. Subjects were generally seated against plain backgrounds and lit with the soft light of an overhead window and whatever else could be reflected with mirrors. As photographic techniques developed, an intrepid group of photographers took their talents out of the studio and onto battlefields, across oceans and into remote wilderness. William Shew's Daguerreotype Saloon, Roger Fenton's Photographic Van and Mathew Brady's What-is-it? wagon set the standards for making portraits and other photographs in the field. Contemporary artists Cindy Sherman, Barbara Kruger, Mitch Kern and others use portrait photography as a vehicle for cultural criticism. LiteratureImage:Vermeer Allegory-of-the-Painting.jpg The allegory of painting by Jan Vermeer In literature the term "portrait" refers to a written description or analysis of a person or thing. A written portrait often gives deep insight, and offers an analysis that goes far beyond the superficial. For example, American author Patricia Cornwell wrote a best-selling book titled Portrait of a Killer about the personality, background, and possible motivations of Jack the Ripper, as well as the media coverage of his murders, and the subsequent police investigation of his crimes. Self-portraitureImage:Nicholas Hilliard 021.jpg Self-portrait by Nicholas Hilliard, 1575. Image:VanGogh 1887 Selbstbildnis.jpg Self-portrait by Vincent Van Gogh. When the artist creates a portrait of him- or herself, it is called a self-portrait. The first known in paint was by the French artist Jean Fouquet in c. 1450,[2] but if the definition is extended the first was by the Egyptian Pharaoh Akhenaten's sculptor Bak, who carved a representation of himself and his wife Taheri c. 1365 BC. However, it seems likely that self-portraits go back to the earliest representational art. PoliticsIn politics, portraits of the leader are often used as a symbol of the state. In most countries it is common protocol for a portrait of the head of state to appear in important government buildings. Excessive use of a leader's portrait can be indicative of a personality cult. Contemporary painters may use the personality cult for their purpose for example the chinese painter Yan Pei-Ming. Portraying Mao he is using Mao's iconographic power developped by propaganda painting and also by paintings of Andy Warhol to increase his own image as a painter.
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