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Norman Bates is a fictional character created by writer Robert Bloch as the central character in his novel Psycho. The character was based on real-life killer Ed Gein. Bates was portrayed by Anthony Perkins in Alfred Hitchcock's seminal film adaptation of Bloch's novel. Perkins' performance is so iconic it seems to have become the basis for much of the myth of the modern serial killer. Bates was later played by Vince Vaughn in Gus Van Sant's 1998 remake of the Hitchcock classic.
BiographySpoiler warning: Plot and/or ending details follow.
Bates suffered severe emotional (and, it is suggested, sexual) abuse as a child at the hands of his mother, Norma Bates, who preached to him that women and sex were evil. The two of them lived alone together in a very unhealthy state of emotional dependence after the death of Bates' father. When Bates was a teenager, however, his mother took a lover, making him insanely jealous. He murdered them both with strychnine and preserved his mother's corpse. Bates developed dissociative identity disorder, assuming his mother's personality, repressing her death as a way to escape the guilt of murdering her.
He was finally arrested after he murdered a young woman named Mary Crane (called Marion Crane in the film) and Milton Arbogast, a private investigator sent to look for her. Bates was declared insane and sent to an institution, where the "mother" personality completely took hold; he completely became his mother. CharacterizationThe characterization of Bates in the novel and the movie differ in some key areas. In the novel, Bates is in his mid-to-late 40s, short, overweight, homely, and more overtly unstable. In the movie, he is in his early-to-mid-20s, tall, slender, and handsome. Reportedly, when working on the film, Hitchcock decided that he wanted audiences to be able to sympathize with Bates and genuinely like the character, so he made him more of a "boy next door." In the novel, Norman becomes Mother after getting drunk and passing out; in the movie, he consumes no alcohol before switching personalities. Perhaps the most significant difference between the novel and the movie is that, in the novel, Mary Crane is "Mother"'s first victim; in the movie, Bates kills twice as his alternate personality before murdering Crane. While he entered the public consciousness as a villain (albeit one with some sympathetic qualities), he developed throughout the film's sequels into not only the series' protagonist, but also as a tragic victim of mental illness. Image:Bateshower.jpg Norman Bates as "Mother" in the infamous shower scene In other media
In the second sequel, Norman continues to struggle, unsuccessfully, against "Mother's" dominion, but in the end attacks her corpse violently, attempting to break free of control, and is again institutionalized. In the final sequel, however, he had been released from the institution, and married one of the hospital's nurses. When his wife became pregnant, however, he lured her to his mother's house and tried to kill her; he wanted to prevent another of his "cursed" line from coming into the world. (The film implies that Bates' mother suffered from multiple personality disorder and passed the illness onto him.) He relented at the last minute, however, when his wife professed her love for him. He then burned the house down in an attempt to free himself of his past. In the pilot episode of the failed TV series Bates Motel, Bates, who was never released from the institution, befriended Alex Kelly, a fellow inmate who murdered his stepfather, and willed ownership of the titular inn to him before dying of old age. As the pilot never developed into a series and bears almost no relation to previous novels or films, it is considered non-canon. Bates also died in the book Psycho II, Bloch's 1982 sequel to his novel. Gus Van Saint's shot-for-shot remake Psycho] has comic actor Vince Vaughn in the role of Norman Bates. In this version, he is portrayed as a slightly creepy, homely man in his late-thirties/early forties, somewhat akin to Bloch's original vision of the character. The role is one of Vaughn's rare roles as a serious actor.
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