Nelson Riddle

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Image:Nelson Riddle Frank Sinatra 1956.jpg

Nelson Riddle and Frank Sinatra, 1956

Nelson Smock Riddle, Jr. (June 1, 1921 – October 6, 1985) was a well-known American bandleader, arranger and orchestrator whose career spanned from the late 1940s until the early 1980s. Riddle is perhaps best known for his 1950s work for Capitol Records, providing jazzy big-band style arrangements to accompany such vocalists as Frank Sinatra, Dean Martin, Nat King Cole, Judy Garland, Peggy Lee, Louis Prima and Keely Smith. Later, his arranging talents were also used by Ella Fitzgerald, Shirley Bassey, Matt Monro, Linda Ronstadt, and others. His arrangements are characterized by innovative orchestration with counter melodies and instrumentation that express the emotions of each verse of a song.

1 Early years
2 The Capitol years
3 Later years
4 Notable song arrangements
5 Notable film and television work
6 Selected discography
7 Orchestrations for Frank Sinatra
- 7.1 Capitol albums
- 7.2 Reprise albums
8 Orchestrations for Ella Fitzgerald
- 8.1 Verve albums
- 8.2 Pablo albums
9 Selected orchestrations for Nat King Cole
10 Orchestrations for other artists
11 Tributes to Riddle by other artists
12 Further reading
13 See also
14 External links

Early years

Riddle was born in Oradell, New Jersey, the only child of Marie Albertine Riddle and Nelson Smock Riddle, Sr. Following his father's interest in music, he began taking piano lessons at age eight and trombone lessons at age fourteen. After his graduation from Ridgewood High School, Riddle spent his late teens and early 20s playing trombone in and occasionally arranging for various local dance bands, culminating in his association with the Charlie Spivak Orchestra.

In 1943, Riddle joined the Merchant Marine where he continued his musical work. After his enlistment term ended, Riddle travelled to Chicago to join the Tommy Dorsey Orchestra in 1944; he remained the orchestra's third trombone for eleven months until drafted by the United States Army in April, 1945.

Just months after Riddle entered the Army, World War II ended and he was discharged in June 1946 after only fifteen months on active duty. Riddle moved shortly thereafter to Hollywood to pursue his career as an arranger, and spent the next several years ghostwriting arrangements for more established names in the music business, and also serving on the arranging staff at NBC.

The Capitol years

In 1950, Riddle was hired by arranger Les Baxter to write arrangements for a recording session with Nat King Cole; this was one of Riddle's first associations with Capitol Records. Although one of the songs Riddle had arranged, "Mona Lisa," soon became the biggest selling single of Cole's career, the work was credited entirely to Baxter. However, once Cole learned the true identity of the arrangement's creator, he sought out Riddle's work for other sessions, and thus began a fruitful partnership that furthered the careers of both men at Capitol.

During the same year, Riddle also struck up a conversation with Vern Yocum, (born George Vernon Yocum) a big band jazz musician (brother of Pied Piper, Clark Yocum) who had transitioned into music preparation servicing Frank Sinatra. He also worked for Nat King Cole and other entertainers at Capitol Records. A collaboration followed with Vern becoming Riddle's "right hand" as copyist and librarian for the next thirty years.

In 1952, Capitol Records executives viewed the up-and-coming Riddle as a prime choice to arrange for the newly-arrived Frank Sinatra. Sinatra was reluctant however, preferring instead to remain with Axel Stordahl, his long-time collaborator from his Columbia Records years. When success of the first few Capitol sides with Stordahl proved disappointing, Sinatra eventually relented and Riddle was called in to arrange his first session for Sinatra, held on April 30, 1953. The first product of the Riddle-Sinatra partnership, "I've Got The World On A String", became a runaway hit and is often credited with relaunching the singer's slumping career.

Riddle was to stay at Capitol for another decade, during which time he continued to arrange for Sinatra and Cole, in addition to such Capitol artists as Dean Martin, Keely Smith, and Ed Townsend. He also found time to release his own instrumental albums on the label, most notably "Hey...Let Yourself Go" (1957) and "C'mon...Get Happy" (1958), both of which peaked at a respectable number twenty on the Billboard charts.

Later years

In 1962 Riddle orchestrated two albums for Ella Fitzgerald, Ella Swings Brightly with Nelson, and Ella Swings Gently with Nelson, their first work together since 1959's Ella Fitzgerald Sings the George and Ira Gershwin Songbook. The mid-1960s would also see Fitzgerald and Riddle collaborate on the last of Ella's 'Songbooks', devoted to the songs of Jerome Kern (Ella Fitzgerald Sings the Jerome Kern Songbook) and Johnny Mercer (Ella Fitzgerald Sings the Johnny Mercer Songbook).

In 1963, Riddle joined Sinatra's newly-established label Reprise Records. Much of his work in the 1960s and 1970s was for film and television, including his hit theme song for Route 66, steady work arranging episodes of Batman and other television series, and the scores of several motion pictures including the Rat Pack features Robin and the Seven Hoods and the original Ocean's Eleven.

In the latter half of the 1960s, the partnership between Riddle and Frank Sinatra grew more distant as Sinatra began increasingly to turn to Don Costa, Billy May and an assortment of other arrangers for his album projects. Although Riddle would write various arrangements for Sinatra until the late 1970s, Strangers In The Night, released in 1966, was the last full album project the pair completed together. The collection of Riddle-arranged songs was intended to expand on the success of the title track, which had been a number one hit single for Sinatra arranged by Ernie Freeman.

During the 1970s, the majority of his work was for film and television, including the score for the 1974 version of The Great Gatsby, which earned Riddle his first Academy Award after some five nominations. In 1973, he served as musical director for the Emmy Award winning The Julie Andrews Hour. Nelson Riddle also made numerous concert appearances throughout the 1970s, some of which were led by his good friend, Tommy Shepard.

In 1982, Riddle was approached by Linda Ronstadt and producer Peter Asher to write arrangements for an album of pop standards Ronstadt had been contemplating for some time. The end result was a three-album contract which included what were to be the last arrangements of Riddle's career.

1982 also saw Riddle work for the last time with Ella Fitzgerald, on her last orchestral Pablo album, The Best Is Yet to Come. Arrangements for Ronstadt's "What's New" (1983) and "Lush Life" (1984) won Riddle his second and third Grammy Awards (the last was awarded posthumously in 1986).

In 1985, Riddle died at age 64 of liver ailments. He is interred in the Hollywood Forever Cemetery, Hollywood, California.

Following Nelson Riddle's death, his last three arrangements for Linda Ronstadt's For Sentimental Reasons album were conducted by Terry Woodson; the album was released in 1986.

In February 1986, Riddle's youngest son Christopher, himself an accomplished bass trombonist, assumed the leadership of his father's orchestra. The Nelson Riddle Orchestra continues touring to this day, playing tribute concerts showcasing Riddle's arrangements for Frank Sinatra and others.

Following the death of Riddle's second wife Naomi in 1998, proceeds from the sale of the Riddle home in Bel Air were used to establish the Nelson Riddle Archives at the University of Arizona, which officially opened in 2001. The opening showcased a gala concert of Riddle's works, with Linda Ronstadt as a featured guest performer.

In 2000, Erich Kunzel and the Cincinnati Pops released a Nelson Riddle tribute album entitled "Route 66: That Nelson Riddle Sound" on Telarc Records. The album showcases expanded orchestral adaptations of the original arrangements provided by the Nelson Riddle Archives, and is presented in a state-of-the-art digital recording that was among the first titles to be released on multi-channel SACD.

While in the Army, Riddle married his first wife Doreen Moran in 1945. The couple had six children: In 1968, Riddle separated from his wife Doreen; their divorce became official in 1970. A few months later he married Naomi Tenenholtz, then his secretary, with whom he would remain for the rest of his life.