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HistoryThe first object having an association with Egypt to arrive in Turin was the Mensa Islaca in 1630, an altar table in imitation of Egyptian style, which Dulu Jones suggests had been created for a temple to Isis in Rome.[1] This exotic piece spurred King Carlo Emmanuele III to commission botanist Vitaliano Donati to travel to Egypt in 1753 and acquire items from its past. Donati returned with 300 pieces recovered from Karnak and Coptos, which became the nucleus of the Turin collection.
Incidentally, the budding collection in Turin forced other institutions around the world to improve their Egyptian wings. In 1833, the collection of Piedmontese Giuseppe Sossio (over 1200 pieces) was added to the Egyptian Museum. The collection was complemented and completed by the finds of Egyptologist Ernesto Schiaparelli, during his excavation campaigns between 1900 and 1920, further filled out the collection. Its last major acquisition was the small tempe of Ellesiya, which the Egyptian government presented to Italy for her assistance during the Nubian monument salvage campaign in the 1960s. Through all these years, the Egyptian collection has always been in Turin, in the building projected for the purpose of housing it, Via Accademia delle Scienze 6. Only during the Second World War was some of the material moved to the town of Aglié. The museum became an experiment of the Italian government in privatization of the nation's museums when the Fondazione Museo delle Antichita Egizie was officially established at the end of 2004. The building itself was remodelled in celebration of the 2006 Winter Olympics, with its main rooms redesigned by Dante Ferretti, and "featured an imaginative use of lighting and mirrors in a spectacular display of some of the most important and impressive Pharaonic statues in the museum collection."[2] Collection
The Egyptian Museum owns three different versions of the Egyptian Book of the Dead, including the most ancient copy known. An integral illustrated version and the personal copy of the First Royal Architect Kha, found by Schiaparelli in 1906 are normally shown to the public. On more than one occasion the director of the Museum was asked to remove the two copies of the book on display and stock them in a deep and dark basement, always for strictly esoteric reasons (as the papyrus emanates "negative energy").[citation needed] At the time of writing, none of these requests appears to have been put into practice. TriviaFans of the UK cult film The Italian Job will recognise the entrance hall of the Museo Egizio as the place where the robbers tow the security van in order to transfer the bullion to the three getaway Minis. Notes
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