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Midnight Cowboy is a 1969 film based on the 1965 novel of the same name by James Leo Herlihy. It was written by Waldo Salt, directed by John Schlesinger, and stars Dustin Hoffman and then-newcomer Jon Voight in the title role. An assortment of much smaller roles are filled by Sylvia Miles, John McGiver, Brenda Vaccaro, Barnard Hughes, Ruth White, Jennifer Salt (the screenwriter's daughter), and Bob Balaban.
PlotSpoiler warning: Plot and/or ending details follow.
The film follows the story of a young Texan named Joe Buck (Jon Voight) who dresses like a rodeo cowboy. (As he tells people he meets, "I ain't a for-real cowboy, but I am a hell of a stud!") He heads to New York City in the hope of leading the life of a kept man. His foolishness becomes evident as quickly as his cash disappears. He is soon forced to hustle for a meager living as a "midnight cowboy" with a clientele that is the opposite (in affluence, and often gender) of the wealthy women he had originally set out to attract.
The events of Joe Buck's life are told in mostly chronological order, interspersed by flashbacks or daydream sequences which hint at his back-story. These are the only people Joe ever cared about. One was his grandmother Sally, who raised him in a troubling atmosphere: it is implied that Joe is abandoned by his mother to live with Sally, that Sally has some sort of inappropriate relationship with Joe, and dies without leaving word for him while he was away serving in the Army. Joe's onetime girlfriend, apparently his one true love, is a promiscuous girl called Crazy Annie. One night, Joe and Annie seem to be having sex in a car, and a group of men storm into the car, grab Joe and Annie, and take Annie away - it is implied that both she and Joe are raped by the gang, and when police arrive Annie repeats, "He's the only one," seemingly implying Joe was her sole rapist, perhaps another betrayal. Although Annie seems to have psychological problems, it is not clear whether they are a cause or effect of her relationship with Joe. Joe is forever haunted by memories of her, "You're the only one, Joe. You're the best, Joe." Losing them both had left Joe completely alone in the world. Ratso Rizzo's story comes mostly through things he tells Joe; his father was an illiterate shoe shiner who worked at a subway station, developed a bad back, and "coughed his lungs out breathin' in that wax every day!" Ratso learned shining from his father, but he refused to follow (such as he could, with a bad leg) in the old man's footsteps. Ultimately, Ratso collapses, unable to walk at all, as winter sets in. Joe beats and robs a customer to raise the money to take them to Florida, where Ratso can hopefully recover in the warm weather and Joe can find honest work. They leave on a southbound bus, with Joe discarding his cowboy clothes enroute, but Ratso dies as they approach Miami. Joe is alone once more, and wary of the future. Spoilers end here.
Image:Mcowboy1.jpg "I'm walkin' here!" Production
The line "I'm walkin' here!", which reached #27 on AFI's 100 Years... 100 Movie Quotes, is often said to have been improvised, but producer Jerome Hellman disputes this account on the 2-disc DVD set of Midnight Cowboy. The cab was driven by a hired actor during a scripted take, and production team filmed it to look like an ad-lib. However, Hoffman told it differently on an installment of Bravo's Inside the Actors Studio. He stated that there were many takes to hit that traffic light just right so they didn't have to pause while walking. That take, the timing was perfect and the cab came out of nowhere and nearly hits them. Hoffman wanted to say "We're filming a movie here!" But from brain to mouth, it came out in the now famous line. Schlesinger chose the song "Everybody's Talkin'" over "I Guess The Lord Must Be In New York City" as the theme song heard throughout the movie. The song was written by Fred Neil and performed by Harry Nilsson. (Other songs considered for the movie included Randy Newman's "Cowboy", and reportedly Bob Dylan's "Lay Lady Lay".) The song "He Quit Me" was also on the soundtrack; it was written by Warren Zevon, who also included it (as "She Quit Me") on his debut album Wanted Dead or Alive.[citation needed] ControversyThe sex scenes in this movie were considered shocking in 1969, even though nothing more than bare breasts and buttocks are seen in the film. This resulted in the film receiving an X rating from the MPAA in the United States[1], making it the first (and only) X-rated film to win an Academy Award. At the time, X ratings had not yet become associated with the pornography industry. In 1971 the film was re-submitted to board in anticipation of a re-release. By 1971, the sex scenes were not considered to be as explicit and the X rating had become associated with pure pornography, so the board granted it an R rating. Nothing in the film hints at any type of homosexual relationship between Joe and Ratso, and other indications in the film make it clear that they are essentially heterosexual. Joe's attempt to earn money as a male prostitute may or may not indicate bisexuality, as he pursues it only as a way to make money when acting as a prostitute for women fails. Despite this, some modern critics assume an unstated homosexual relationship between the main characters; and at the 2006 Academy Awards, host Jon Stewart joked about Brokeback Mountain being an Oscar contender despite its subject matter, saying "It's been more than 35 years when people would watch Midnight Cowboy and say 'What the hell was that all about?' Well, now we have fully accepted this new genre of cinema: gay westerns!" AwardsThe film won Academy Awards for Best Picture, Best Director, and Best Adapted Screenplay; it is currently the only X-rated film to win an Oscar in any category. (Coincidentally, the previous year had seen the sole G-rated Best Picture winner, Oliver!.) Both Hoffman and Voight were nominated for Best Actor awards. The film won the BAFTA Award for Best Film. John Barry, who supervised the music for the film, won a Grammy for Best Instrumental Theme. The film features the song "Everybody's Talkin'", written by Fred Neil and sung by Harry Nilsson, which won a Grammy Award for Best Male Pop Vocal Performance The film has been deemed "culturally significant" by the Library of Congress and selected for preservation in the United States National Film Registry. LegacyFor Hoffman, the role enabled him to avoid any typecasting due to his previous role in The Graduate and began his reputation as an actor of considerable dramatic range. Popular culture references
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