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Jew's harp
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The Jew's harp, jaw harp, or mouth harp) is thought to be one of the oldest musical instruments in the world; a musician apparently playing it can be seen in a Chinese drawing from the 3rd century BCE [1]. It is also sometimes called a Jew's trump or juice harp, among other names, and has no particular connection with Judaism.
Click here to listen to the sounds of Jew's harp
As with the parallel example "
jew's ear" for the jelly fungus
Auricularia auricula-judae, the name's semitic reference is controversial and is avoided by many speakers, giving rise to various alternative terms. Another name used to identify the instrument, especially in scholarly literature, is the older
English trump, while
guimbarde, derived from the French word for the instrument, also features in unabridged dictionaries and recent revival efforts.
The instrument is a lamellophone, which is in the category of plucked idiophones: it consists of a flexible metal or bamboo tongue or reed attached to a frame. On the other hand, the jew's harp belongs to the aerophones, together with the wind instruments and the instruments of the accordion type: In this class of instruments the sound is generated by a vibrating air column (flutes etc.) or by a stream of air stimulated to sound by a reed (harmonica, accordion, jew's harp). The tongue/reed is placed in the performer's mouth and plucked with the finger to produce a note. The frame is held against the performer's teeth or lips, using the jaw (thus "jaw harp") and mouth as a resonator, greatly increasing the volume of the instrument. The note thus produced is constant in pitch, though by changing the shape of his or her mouth and the amount of air contained in it the performer can cause different overtones to sound and thus create melodies.
The instrument is known in many different cultures by at least forty different names. Since trances are facilitated by droning sounds, the Jew's harp has been associated with magic and has been a common instrument in shamanic rituals.
Contents
- 1 Etymology
- 2 Use
- 2.1 In traditional music
- 2.2 In classical music
- 2.3 In popular music
- 2.4 In film
- 3 Names of specific Jew's harps around the world
- 4 References
- 5 Bibliography
- 6 See also
- 7 External links
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Etymology
There are many theories for the origin of the name Jew's harp, one being that it may derive from its popularity amongst Eurasian steppe-peoples like the Khazars, perhaps being introduced to Europe from that direction. Another explanation proposed is that it is a corruption of "jaw harp", while a less likely explanation espoused by some is that its name comes from "juice harp" from the amount of saliva produced when played by amateurs. Both of these explanations lack historical backing, as both the "jaw" and the "juice" variants appeared only in the late 19th and 20th centuries. It has also been suggested that the name derives from the French "Jeu-trompe" meaning "toy-trumpet".[1] The Oxford English Dictionary calls theories that the name is a corruption of "jaws" or "jeu" "baseless and inept" and goes on to speculate that "the instrument was actually made, sold, or sent to England by Jews, or supposed to be so; or that it was attributed to them, as a good commercial name...".[2]
It is interesting to note that many names of the instrument, in English or other languages, refer to other musical instruments, cordophones, membranophones, or aerophones largely included.
Use
In traditional music
The Jew's harp is an integral element in the music of Tuva. Known as the khomuz, the instrument is used to play the same overtone melodies used in the khoomei, sygyt, and kargyraa styles of overtone singing.
In classical music
Around 1765, Beethoven's teacher Johann Georg Albrechtsberger composed at least seven concertos for Jew's harp, mandora, and strings (three survive in a library in Budapest). They are pleasant, well written works in the galant style.
In popular music
The Jew's harp has been used on occasion in popular music. Such uses include:
- Madredeus's "Haja o que Houver" from the album Antologia
- Old Time Relijun uses the instrument on many albums and in their live show.
- Blur's "Country Sad Ballad Man" from their self-titled album.
- Joanna Newsom's "Emily" and "Cosmia" from the album Ys.
- The Beach Boys' "Good Vibrations," from the SMiLE Project
- Rufus Wainwright in the song "Crumb by Crumb" from Want Two
- Joe Walsh's "Life's Been Good" from the album But Seriously Folks
- Red Hot Chili Peppers' "Give it Away," on the album Blood Sugar Sex Magik
- Black Sabbath's "Sleeping Village," from their eponymous album
- Aphex Twin's "Logon Rock Witch," on the Richard D. James Album
- The Zutons in "Nightmare Part II," from the album Who Killed The Zutons?
- Violent Femmes in "Black Girls from the album Hallowed Ground
- The Who in "Join Together"
- The Incredible String Band in "Koeeoaddi There," from The Hangman's Beautiful Daughter
- Leonard Cohen throughout the album Songs from a Room
- The Beta Band on "She's the One," from The Three EPs
- DeVotchKa on "Cuba Libra" from the album SuperMelodrama.
- "Blanket on the Ground" by Billie Jo Spears.
- Sixteen Horsepower uses the instrument on a number of songs.
- Drasco's "Grey Soaked Red" a song about the Civil War on their debut EP "You Better Believe It!"
- Scissor Sisters' "I Can't Decide" from the album Ta-Dah
- Dixie Chicks Album "Fly" song: "Sin Wagon"
- Mr. Bungle's "Violenza Domestica," from their Disco Volante album (played by William Winant)
- Buffy Sainte-Marie sings with it solo on "Cripple Creek"
- Justin Bello's various cover songs including, but not limited to, songs such as "Sandstorm." Popularized amongst the Baton Rouge, LA and LSU music scene.
Aside from these artists, the instrument is quite prevalent in the folk metal genre, with bands such as Otyg, Folkearth, Yggdrasil, Finntroll and many more including the instrument in their regular line-ups. Black Metal band Enslaved and Death Metal band Molested have also used the Jew's harp.
In film
The instrument, referred to as a "mouth harp" can also be seen in the NBC show Scrubs. It is in Episode 5.15 (Prod # 515), "My Extra Mile"
Henry Fonda plays the instrument as the title character in John Ford's Young Mr. Lincoln.
The instrument can be seen in the film The Wicker Man, at the rehearsal of Mayday celebrations, on the song "Maypole," as it has long been identified with mysticism or paganism.
The Jew's harp can also be seen in The Swedish film The Virgin Spring, directed by Ingmar Bergman.
The soundtrack of Buck and the Preacher, with Sidney Poitier and Harry Belefonte features the jaw-harp.
It is featured prominently in Emir Kusturica's Black Cat, White Cat
Snoopy plays one in the animated film A Boy Named Charlie Brown.
It can also be heard as a prominent instrument in the theme song written by Ennio Morricone from the movie For a Few Dollars More, starring Clint Eastwood.
Names of specific Jew's harps around the world
- Afghanistan - chang
- Argentina - torompe
- Bosnia - drombulja
- Brasil - berimboca, "harpa de boca", "berimbau de boca"
- Bulgaria - drumboy ("дръмбой", "драмбой")
- Chile - torompe
- China - kǒu xiàn (口弦, lit. "mouth string")
- Croatia - drombulja
- Czech Republic - brumle
- Denmark - jødeharpe (lit. "Jew harp")
- Esperanto - buŝharpo (lit. mouth harp)
- Estonia - parmupill (lit. "horse-fly instrument")
- Euskal Herria (Basque country) - musugitarra (lit. "kiss guitar")
- Finland - munniharppu
- France - guimbarde
- Corse - riberbula
- Germany - maultrommel (lit. "mouth drum")
- Hawaii - ʻukeke
- Hungary - doromb
- Iceland - gyðingaharpa (kjálkaharpa)
- India
- Assam - gogona
- Karnataka - morsing
- Kerala - mukhar-shanq (lit. "mouth conch")
- Rajasthan - morchang
- Tamil Nadu - mugar-sing
- Bali - genggong
- Butonese - ore-ore mbondu or ore Ngkale
- Kailinese - yori
- Toraja - karombi
- Iran - zanboorak (زنبورك)
- Ireland - trumpa; tromb (Gaelic)
- Israel - nevel pe (נבל פה, lit. "mouth harp")
- Italy - scacciapensieri
- Sicily - marranzanu
- Japan - koukin (口琴, lit. "mouth harp")
- Kajkavian - brunda (lit. "the grumbling one")
- Kazakhstan - shang-kobuz
- Kyrgyzstan - temir-komuz (lit. "iron komuz"), ooz-komuz (lit. "mouth komuz")
- Laos
- Hmong - rab ncas (also in Vietnam, Thailand, and China)
- Latvia - vargāns
- Lithuania - dambrelis
- Mongolia - khel khuur (Хэл хуур, lit. "tongue fiddle").
- Munanese (Indonesia) - karinta
- Nepal - Murchunga
- Netherlands - mondharp (lit. "mouth harp")
- Norway - munnharpe
- Philippines
- Maguindanao - kubing
- Maranao - kobing
- Palawan - aroding
- Tagbanua - aru-ding
- Tingguian - kolibau
- Yakan - kulaing
- Poland - drumla
- Romania - drâmbă
- Russia - vargan
- Yakutsk - kubyz
- Scotland - tromb (Gaelic)
- Slovakia - drumbľa
- Serbia - drombulje (Дромбуље)
- Slovenia - dromlja
- South Africa (Afrikaans) - trompie
- Spain - guimbarda or birimbao or arpa de boca
- Sweden - mungiga
- Switzerland (Swiss German) - "mal trommel"
- Tuva - xomus or khomus
- Ukraine - drymba (Дримба)
- Vietnam - đàn môi
- Wales - sturmant
References
- ^ Timbs, John (1858). Things Not Generally Known: Popular Errors Explained & Illustrated, 61.
- ^ "Jews' trump, Jew's-trump". Oxford English Dictionary. (1989). Oxford University Press.
Bibliography
- Alekseev, Ivan, and E. I. [i.e. Egor Innokent'evich] Okoneshnikov (1988). Iskusstvo igry na iakutskom khomuse. IAkutsk: Akademiia nauk SSSR, Sibirskoe otd-nie, IAkutskii filial, In-t iazyka, lit-ry i istorii.
- Bakx, Phons (1992). De gedachtenverdrijver: de historie van de mondharp. Hadewijch wereldmuziek. Antwerpen: Hadewijch. ISBN 9052401632.
- Boone, Hubert, and René de Maeyer (1986). De Mondtrom. Volksmuziekinstrumenten in Belgie en in Nederland. Brussel: La Renaissance du Livre.
- Crane, Frederick (1982). "Jew's (jaw's? jeu? jeugd? gewgaw? juice?) harp." In: Vierundzwanzigsteljahrschrift der Internationalen Maultrommelvirtuosengenossenschaft, vol. 1 (1982). With: "The Jew's Harp in Colonial America," by Brian L. Mihura.
- Crane, Frederick (2003). A History of the Trump in Pictures: Europe and America. A special supplement to Vierundzwanzigsteljahrsschrift der Internationalen Maultrommelvirtuosengenossenschaft. Mount Pleasant, Iowa: [Frederick Crane].[2]
- Dournon-Taurelle, Geneviève, and John Wright (1978). Les Guimbardes du Musée de l'homme. Preface by Gilbert Rouget. Published by the Muséum national d'histoire naturelle and l'Institut d'ethnologie.
- Emsheimer, Ernst (1941). "Uber das Vorkommen und die Anwendungsart der Maultrommel in Sibirien und Zentralasien." Ethnos (Stockholm), nos 3-4 (1941).
- Fox, Leonard (1984). The Jew's Harp: A Comprehensive Anthology. Selected, edited, and translated by Leonard Fox. Charleston, South Carolina: L. Fox.
- Fox, Leonard (1988). The Jew's Harp: A Comprehensive Anthology. Selected, edited, and translated by Leonard Fox. Lewisburg: Bucknell University Press; London: Associated University Presses. ISBN 0838751164.
- Gallmann, Matthew S. (1977). The Jews Harp: A Select List of References With Library of Congress Call Numbers. Washington, D.C.: Library of Congress, Archive of Folk Song.
- Gotovtsev, Innokenty. New Technologies for Yakut Khomus. Yakutsk.[3]
- Kolltveit, Gjermund (2006). Jew's Harps in European Archaeology. BAR International series, 1500. Oxford, England: Archaeopress. ISBN 1841719315.
- Plate, Regina (1992). Kulturgeschichte der Maultrommel. Orpheus-Schriftenreihe zu Grundfragen der Musik, Bd. 64. Bonn: Verlag für Systematische Musikwissenschaft. ISBN 3922626645.
- Shishigin, S. S. (1994). Igraite na khomuse. Mezhdunarodnyi tsentr khomusnoi (vargannoi) muzyki. Pokrovsk : S.S. Shishigin/Ministerstvo kul'tury Respubliki Sakha (IAkutiia). ISBN 5851570121.
- Shishigin, Spiridon. Kulakovsky and Khomus. Yakutia.[4]
- Smeck, Roy (1974). Mel Bay's Fun With the Jaws Harp.[5]
- Yuan, Bingchang, and Jizeng Mao (1986). Zhongguo Shao Shu Min Zu Yue Qi Zhi. Beijing : Xin Shi Jie Chu Ban She: Xin Hua Shu Dian Beijing Fa Xing Suo Fa Xing. ISBN 7800050173.
See also
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