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McCormack-Dickstein (1934)
The committee investigated and supported allegations of a fascist plot to seize the White House, known as the Business Plot. It was replaced with a similar committee that focused on pursuing communists. Its records are held by NARA (the National Archives and Records Administration) as related records to HUAC. Dies Committee (1938–1944)The House Committee on Un-American Activities grew from a special investigating committee established in May 1938, chaired by Martin Dies and co-chaired by Samuel Dickstein, himself named in Soviet NKVD documents as a Soviet agent. In pre-war years and during World War II, it was known as the Dies Committee. Its work was supposed to be aimed mostly at German American involvement in Nazi and Ku Klux Klan activity. As to investigations into the activities of the "Klan," the Committee actually did little. When HUAC's chief counsel Ernest Adamson announced that "The committee has decided that it lacks sufficient data on which to base a probe," committee member John E. Rankin added: "After all, the KKK is an old American institution." Instead of the Klan, HUAC concentrated on investigating the possibility that the American Communist Party had infiltrated the Works Progress Administration, including the Federal Theatre Project. The Dies Committee also carried out a brief investigation into the wartime internment of Japanese Americans living on the West Coast. The investigation primarily concerned security at the camps, youth gangs allegedly operating in the camps, food supply questions, and releases of internees. With the exception of Rep. Herman Eberharter, the members of the committee seemed to support internment.
In 1939, the committee investigated leaders of the American Youth Congress, a Comintern affiliate organization. SubversionHUAC became a standing (permanent) committee in 1946. Under the mandate of Public Law 601, passed by the 79th Congress, the committee of nine representatives investigated suspected threats of subversion or propaganda that attacked "the form of government guaranteed by our Constitution." Under this mandate, the committee focused its investigations on real and suspected Communists in positions of actual or supposed influence in American society. The first, such investigation looked into allegations of Communists in the Federal Theatre Project in 1938. A significant step for HUAC was its investigation of the charges of espionage brought against Alger Hiss in 1948. This investigation ultimately resulted in Hiss's trial and conviction for perjury, and convinced many of the usefulness of congressional committees for uncovering Communist subversion.[1] Hollywood blacklistImage:Mostel HUAC.svg Segment of Zero Mostel’s testimony before HUAC In 1947, the committee held nine days of hearings into alleged Communist propaganda in the Hollywood motion picture industry. After conviction on contempt of Congress charges for refusal to answer some questions posed by committee members, the "Hollywood Ten" were blacklisted by the industry. Eventually, more than 300 artists—including directors, radio commentators, actors and particularly screenwriters—were boycotted by the studios. Some, like Charlie Chaplin, left the US to find work. Others wrote under pseudonyms or the names of colleagues. Only about ten percent succeeded in rebuilding careers within the entertainment industry. In 1947, studio executives told the Committee that wartime films like Mission to Moscow and Song of Russia could be considered pro-Soviet propaganda, but they suggested that the films were valuable in the context of the Allied war effort. In the 1950s, the studios produced a number of anti-communist and anti-Soviet propaganda films like John Wayne's Big Jim McLain, The Red Menace, The Red Danube, I Married a Communist, I Was a Communist for the FBI and Red Planet Mars. Most were box-office failures, but placated Hollywood's critics and protected the industry against a threatened boycott campaign.[2] DeclineImage:FNL Flag.svg Illustration of VC flag that Rubin wore to HUAC hearing HUAC lost considerable prestige after it subpoenaed Jerry Rubin and Abbie Hoffman of the Yippies in 1967, and again in the aftermath of the 1968 Democratic National Convention. Unlike previous subjects of the committee's investigations, the Yippies neither respected nor feared the committee, and used media attention to make a mockery of the proceedings. Rubin came to one session dressed as an American Revolutionary War soldier, and passed out copies of the United States Declaration of Independence to people in attendance. Then Rubin "blew giant gum bubbles while his co-witnesses taunted the committee with Nazi salutes."[3] Hoffman attended a session dressed as Santa Claus. On another occasion, police stopped Hoffman at the building entrance and arrested him for wearing an American flag. Hoffman quipped for the press, "I regret that I have but one shirt to give for my country," paraphrasing the last words of revolutionary patriot Nathan Hale; meanwhile Rubin, who was wearing a matching Viet Cong flag, shouted that the police were communists for not arresting him also.[4] According to the Harvard Crimson:
Committee chairs and notable members
See also
Notes
Further reading
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