Dustin Hoffman

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Dustin Hoffman
Image:Dustin Hoffman.jpg Dustin Hoffman
Born	August 8 1937 (age 70) Los Angeles, California
Awards Academy Awards Best Actor 1979 Kramer vs. Kramer 1988 Rain Man BAFTA Awards Best Actor in a Leading Role 1969 Midnight Cowboy, John and Mary 1983 Tootsie Golden Globe Awards Best Actor - Motion Picture Drama 1980 Kramer vs. Kramer 1989 Rain Man Best Actor - Motion Picture Musical or Comedy 1983 Tootsie

Dustin Lee Hoffman (born August 8, 1937) is a two-time Academy Award-winning American actor.

Contents 1 Biography 1.1 Acting beginnings 1.2 1960s: The breakthrough 1.3 1970s: Staying in the game 1.4 1980s 1.5 1990s: The commercial decade 1.6 2000s 1.7 Private life 2 Trivia 3 Filmography 4 External links

Biography

Hoffman was born in Los Angeles, California to Jewish American parents, Harry Hoffman and Lillian Gold.

According to Dustin Hoffman's April 1975 Playboy Magazine interview, his mother named him after the silent-screen actor Dustin Farnum.

After graduating from Los Angeles High School, Hoffman attended the Los Angeles Conservatory of Music with ambitions of being a concert pianist. He later attended Santa Monica College for a year before dropping out due to poor grades. While at the college, Hoffman took an acting class to boost his grade point average (he was told "nobody flunks acting") and later remarked that when he was in the class he felt totally at peace with himself^{[citation needed]}.

Acting beginnings

Hoffman performed at the Pasadena Playhouse for two years with fellow actor Gene Hackman. Hackman headed for New York City and told Hoffman to call him if he were to come to New York City. Hoffman took Hackman up on his offer and soon after followed his friend to New York, where he worked a series of odd jobs, such as coat checking at restaurants, working in the typing department of the city Yellow Pages directory, or stringing Hawaiian leis, while getting the occasional bit television role. To support himself, he left acting briefly to teach. In 1960, Hoffman landed a role in an off-Broadway production and followed with a walk-on role in a Broadway production in 1961.

He also did the occasional television commercial. An oft-replayed segment on programs that explore actors' early work is a clip showing a young Hoffman touting the Volkswagen Fastback.

Hoffman then studied at the famed Actors Studio and became a dedicated method actor.

1960s: The breakthrough

Through the early and mid-1960s, Hoffman made appearances early in his career on many television shows and movies, including Naked City, The Defenders and Hallmark Hall of Fame. Hoffman made his theatrical film debut in The Tiger Makes Out in 1967, alongside Eli Wallach.

In 1966, young up-and-coming director Mike Nichols, fresh off a Best Director Oscar- nomination for his film Who's Afraid of Virginia Woolf?, began casting his next film The Graduate, an adaptation of author Charles Webb's little-known novel of the same name. The first choice for the role of Benjamin Braddock, Warren Beatty, soon dropped out. The second choice was Robert Redford, who also wanted the role, but agreed with Nichols that he was too charming and popular to play the role of a sweaty-palmed, sexually uncomfortable virgin.

Hungry for a role, Hoffman auditioned for the film and, luckily, he came through with the exact amount of awkwardness necessary for the role. Hoffman was cast, and the film began production in March 1967. The cast included Anne Bancroft as the sexually promiscuous older woman, Mrs. Robinson. Though the age difference in their characters was intended to be 20-25 years, Hoffman and Bancroft were actually only 6 years apart in age difference. Hoffman was twenty-nine.

Hoffman received an Academy Award nomination for his performance in The Graduate. The film was nominated for the Best Picture Oscar and Nichols took home the award for Best Director. The Graduate was also subsequently voted as the #7 Greatest American Movie of All-Time by the AFI.

After the success of this film, another Hoffman film, Madigan's Millions - shot before The Graduate - was released on the tail of the actor's newfound success. It was considered a failure at the box office.

Midnight Cowboy (1969)
Hoffman's name came up for the role of Ratso Rizzo in the film version of James Leo Herlihy's novel Midnight Cowboy after producer Jerome Hellman saw Hoffman in his one-man-show "Eh!".

According to Hoffman, he thought he had proactively kinked the Ratso Rizzo chain by appearing in The Graduate, by now an international smash hit. He found his Strasberg training taking over when, to prove his dedication to the role, he asked the producer to meet him on a street corner in Manhattan. Without the producer's knowledge, Hoffman dressed up as a homeless man and begged for money on the streets. When the producer arrived, he took the man for an everyday beggar and paid no attention. Hoffman walked up to him several minutes later and introduced himself. Shocked, the producer questioned no further whether Hoffman could play Rizzo or not.

In one scene Rizzo and Joe Buck (Jon Voight) are walking a street crossing in New York City when a car almost hits the two of them. "Hey, I'm walkin' here! I'm walkin' here!" Rizzo exclaims, feverishly smacking the hood of the car. The quote has become one of the most famous in film history, recently voted #27 on AFI's Top 100 Movie Quotes Of All Time. The incident with the car was totally unscripted, and Hoffman's famous line was ad-libbed.

Hoffman received his second Academy Award nomination for Midnight Cowboy. Directed by John Schlesinger, the film won the Best Picture honor at the ceremony, the only X-rated film ever to do so. Cowboy was voted the 36th Greatest American Film by the AFI.

1970s: Staying in the game

Hoffman could now get the parts he dreamed of ten years earlier. Instead of making large Hollywood films, however, Hoffman more often opted to take roles in smaller-scale, character-driven films.

Little Big Man (1970)
Under Arthur Penn's direction, Hoffman plays the character Jack Crabb from teenager to the age of 121 years (an acting world record, says Guinness World Records). Crabb is a man who, on his death bed, recalls his life of struggle and adventure. A precursor to films like Forrest Gump, the film found Crabb in the middle of historical events, such as the battle at Little Big Horn alongside General Custer.

According to IMDb, Hoffman sat in his dressing room for an hour screaming at the top of his lungs in order to achieve the 121 year-old rasp.

Mostly comedic, the film was widely praised by critics, but was overlooked for an award except for a supporting nomination for Chief Dan George.

Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971)
Who Is Harry Kellerman...? featured yet another Hoffman role completely different from the rest. In the film - a dark human drama comedy directed by Ulu Grosbard - Hoffman plays sleep deprived and highly successful rock, pop, commercial jingle, and musical composer who finds himself in a life-crisis when reflecting on his love relationships while an anonymous man named Harry Kellerman begins to spread ridiculous lies about him.

Straw Dogs (1971)
In his second film since The Wild Bunch, director Sam Peckinpah created one of the most startling depictions of societal violence ever on film. Hoffman (against his will, committed by contract) portrayed David, an American who moves with his wife (Susan George) to her home village in rural England, surrounded by violent men with lustful intentions. The film depicts graphically the primality of physical and sexual violence to a shocking degree, a quality that polarized audiences and critics alike. The film has found a cult audience since the acceptance of Peckinpah as a revolutionary of film directing.

Papillon (1973)
Alongside Steve McQueen and under the direction of Patton director Franklin J. Schaffner, Hoffman made his largest film to date. Papillon told the story of inmates on an island prison who plot their escape. Domestically, the film brought in more than four times its budget.

Lenny (1974)
In director Bob Fosse's highly experimental Lenny, Hoffman portrayed pioneering stand-up comedian Lenny Bruce in a jarring performance, covering Bruce's onstage charisma and his tragic fall from grace. Hoffman was able to mirror Lenny Bruce so closely thanks to archived audio and extremely candid video recordings. The film was nominated for six Academy Awards, including Best Picture, Best Director and Best Actor (Hoffman). This would mark Hoffman's third nomination in seven years.

All the President's Men (1976)
Less than two years after Watergate ended with the resignation of Richard Nixon, director Alan J. Pakula put to celluloid the story of Bob Woodward and Carl Bernstein's investigation and ultimate unveiling of the truth behind the Watergate scandal. Hoffman portrayed Carl Bernstein and Robert Redford portrayed Bob Woodward in the film, which garnered eight Oscar nominations, though none for Hoffman or Redford.

Marathon Man (1976)
Reteaming with John Schlesinger, the director of Midnight Cowboy, Hoffman starred in Marathon Man, a film about the human psyche under the stress of confusion, torment and torture. The film was based on William Goldman's novel of the same name, which he adapted into a screenplay himself.

Marathon Man found Hoffman re-facing the themes of distress and anger that he encountered on Straw Dogs, though this film was more conventional. Sir Laurence Olivier starred in the film as the Josef Mengele-inspired Dr. Christian Szell (AKA "The White Angel"), a sadistic Nazi who tortured countless Jews in Auschwitz. Hoffman's character finds himself in the middle of Szell's plans to smuggle diamonds out of America.

In the film's most famous scene, Olivier tortures Hoffman while repeating the seemingly non-sequitur question: "Is it safe?" The quote was voted as the 70th greatest quote in the history of film by AFI. To achieve his character's exhausted look in this scene, Hoffman deprived himself of sleep for two days. During the filming Olivier famously said to Hoffman "Try acting. . . It's much easier!" While this is widely believed to have been a joke about Hoffman's Strasbergian method, Hoffman himself, who for many years denied the story altogether, now claims that Olivier had been referring to how Hoffman had been partying too hard (the real reason he had deprived himself of sleep) as a way of coping with his depression and the pain of his divorce. [1]

For scenes in which Hoffman was to appear breathless, he would run a half mile until the moment Schlesinger called "action".

After this film, Hoffman said that he would no longer play "young" roles like being a college student in Marathon Man (he was 40 at the time of its release).

Straight Time (1978)
Originally to be his directorial debut, Straight Time was a pet project of Hoffman's ever since he read Edward Bunker's source novel. Hoffman opted out of directing the picture and instead handed it over to Harry Kellerman director Ulu Grosbard. Hoffman starred as a thief who, upon being released from prison, decides to go straight. His plans are thwarted by a parole officer who causes Hoffman to revert to a life of crime. The film was based on Bunker's experiences.

Agatha (1979)
In his first true failure, Hoffman found himself in Michael Apted's Agatha. The film tagline describes it as "a fictional solution to the real mystery of Agatha Christie's disappearance." Vanessa Redgrave starred as Agatha Christie.

Controversy arose when the script was adjusted to accommodate Dustin Hoffman's starpower. Agatha producer David Puttnam left the production and swore he would never again work with Dustin Hoffman.

Kramer vs. Kramer (1979) Directed by Robert Benton, Kramer featured Hoffman as workaholic Ted Kramer whose wife unexpectedly leaves him, and he has to raise their son alone. Hurt and stunned, Ted is forced to juggle his priorities: success in advertising and single parenthood. In tradition feel-good fashion, he comes to see what's truly important and finds himself growing up far too late. When his ex-wife returns to reclaim their child, he finds everything he's fixed breaking all over again.

Hoffman starred alongside Meryl Streep in the film, which earned Hoffman his first Academy Award. The film also received the Best Picture honor, as well as Supporting Actress (Streep) and Director.

1980s

Tootsie (1982)
In Sydney Pollack's Tootsie, Hoffman portrays Michael Dorsey, a struggling actor who finds himself unable to land a job due to his stigma of being a "difficult actor" (a title to which Hoffman wasn't a stranger). Amidst the threat of ultimate failure and poverty, Michael comes up with a plan: Dress up as a woman (Dorothy Michaels) and land a role on a soap opera. Not only does he get the job, he also becomes an extremely popular character on the show. To make things worse, he develops a crush on a co-worker (Jessica Lange) who unfortunately doesn't know that Dorothy Michaels is Michael Dorsey.

Tootsie earned ten Academy Award nominations, including Actor (Hoffman), Picture and Director. The film would only win one, for Supporting Actress (Lange).

Ishtar (1987)
In Elaine May's Ishtar, Hoffman and Warren Beatty play two lounge singers booked at the Ishtar Hilton who find themselves tangled in a web of espionage.

The film received largely negative reviews from critics and was nominated for three Razzie awards, though they spared Hoffman.

Rain Man (1988)
Director Barry Levinson's Rain Man chronicles the reunion of two brothers after the death of their estranged father. One, Charlie Babbitt (Tom Cruise), is an indebted car salesman while the other, Raymond Babbitt (Hoffman), is an institutionalized autistic savant. Never knowing of any brother, and upon finding out that Raymond is to receive his father's fortune, Charlie takes Raymond away from the institution. Because Raymond refuses to fly, they are forced to drive back to California. During the course of this trip, Charlie finds himself forever transformed.

Because Hoffman shows no emotion throughout the entire film, it took careful crafting to make sure that Cruise's transformation was noticeable to audiences. So Levinson, Hoffman and Cruise worked for two years on this film. In that time, they decided that Hoffman's role in the film was simply Cruise's divine intervention. Because Hoffman's blankness is so strong, the audience shapes him into whatever they want him to be, and feel sympathy. Hoffman's nuanced performance has been hailed by many as the greatest of all time.

The performance earned Hoffman his second Oscar, and the film took home three more, for Picture, Director and Screenplay.

Family Business (1989)
After the heaviness of Rain Man, Hoffman took it down a notch with legendary director Sydney Lumet's crime comedy Family Business, alongside castmates Sean Connery and Matthew Broderick.

The film did relatively poorly with the critics and at the box office.

1990s: The commercial decade

Throughout the '90s, Hoffman would do many large, studio films.

Dick Tracy (1990)
Warren Beatty directed and starred as the title character in this comic book adaptation. Hoffman would do his Ishtar co-star a friendly favor by playing a small role in the film under heavy make-up. He played Mumbles, a hesitant squealer who speaks extremely fast. The character of Mumbles was supposedly based on producer Robert Evans.

The film was a hit with critics and a smash at the box office.

Billy Bathgate (1991)
Hoffman would reunite with Kramer vs. Kramer director Robert Benton for the ill-fated Billy Bathgate. In the film, the title character (Loren Dean), finds himself working his way up in organized crime in the '20s and '30s. The boss (Hoffman) promotes Billy and he becomes his mentor, just as the syndicate begins to fall apart.

The film failed on almost all accounts, critically and financially.

Hook (1991)
In his biggest film yet, Hoffman played the title role of Captain Hook in Steven Spielberg's Hook. Robin Williams co-starred in the film as the grown-up Peter Pan, who ends up back in Neverland after his kids are kidnapped by the Captain.

At $70 million, Hook was easily the most expensive film Spielberg had made up to that point, and was a huge success at the box office.

The film earned Hoffman a Golden Globe nomination.

Hero (1992)
In Stephen Frears' Hero, Hoffman plays a lowly scoundrel who saves a few people from a plane crash while trying to find goodies in the remains. When a picture of him surfaces, a reporter (Geena Davis) mounts a search for the man, including a million-dollar reward. A much more sympathetic drifter (Andy Garcia) gets involved claiming to be the real hero.

The film failed to perform well at the box office and received a mixed reception from critics.

Outbreak (1995)
Fresh off his smash hit In the Line of Fire, director Wolfgang Petersen decided to make a film fictionalizing the then-threatening Ebola virus. The lead role of Sam Daniels in Outbreak was originally intended for Harrison Ford. When Ford declined, the filmmakers went to Hoffman, who accepted the role. Starring alongside Rene Russo, Kevin Spacey, Morgan Freeman, Cuba Gooding Jr. and Donald Sutherland, Hoffman plays the ignored whistle blower in the film.

Outbreak went on to recoup its budget, but made very little profit. The film, though, did receive better-than-average reviews for a Hollywood film.

Sleepers (1996)
In Rain Man director Barry Levinson's period drama Sleepers, four childhood friends find themselves reunited after bloody revenge is committed against their childhood abuser. Hoffman played bumbling defense attorney Danny Snider in the film.

Good reviews and decent box office led the film to cult status with the release of the film on video and, eventually, DVD.

Mad City (1997)
Hoffman starred opposite John Travolta in popular Greek director Costa Gavras' Mad City, a film about a man who takes a history museum hostage after losing his job. In the movie, Hoffman portrayed Max Brackett, a washed up reporter already in the museum when the event takes place and takes advantage of the situation as a way of reviving his career.

Amongst negative reviews and terrible receipts, the film quickly left theatres and plunged into obscurity.

Wag the Dog (1997)
Working with Barry Levinson for the third time, Hoffman played the role of the fiendishly clever movie producer-turned-war producer Stanley Motes in Wag The Dog. The film (co-written by master writer David Mamet) found Robert De Niro playing Washington spin-doctor Conrad Brean, a man hired to invent a war in order to cover up a presidential sex scandal. When De Niro approaches Hoffman, he finds the solution slowly becoming just another big, fat problem.

The film was shot in just under a month.

Hoffman's Robert Evans-inspired performance in Wag The Dog earned him some of the best reviews of his career and also brought him his 7th Academy Award nomination.

Sphere (1998)
Once again, Hoffman would work with Barry Levinson on the Michael Crichton adaptation Sphere. It tells the story of a team of scientists sent to the bottom of South Pacific to investigate a mysterious vessel, which turns out to be a spaceship, crashed in the middle in the ocean centuries before. Hoffman plays the leader of the team, which also includes Sharon Stone, Samuel L. Jackson, Peter Coyote, Queen Latifah and Liev Schreiber.

After being welcomed with a plethora of bad reviews, the film failed to regain even half of its budget domestically. Being that Wag The Dog was filmed after this and released only weeks before it, Hoffman and Levinson managed to dodge Sphere's proverbial bullet.

The Messenger: The Story of Joan of Arc (1999)
In Leon: The Professional director Luc Besson's adaptation of the story of Joan of Arc, Hoffman portrayed "The Conscience".

The film failed with critics and at the box office.

2000s

Hoffman's work has primarily been supporting roles in studio films.

Moonlight Mile (2002)
As Ben Floss, Hoffman plays the father of a recently deceased woman, while Jake Gyllenhaal portrays the fiance of the girl and Susan Sarandon plays her grieving, free-spirit mother.

Moonlight Mile, written and directed by Brad Silberling, primarily focuses on Gyllenhaal's character as the three work together to get through their grief.

Though it performed poorly domestically, the film received fantastic reviews.

Confidence (2003)
Working opposite Edward Burns, Andy Garcia and Rachel Weisz and under the direction of James Foley (Glengarry Glen Ross), Hoffman plays mob boss Winston King in Confidence. In the film, Burns' character works one job for Hoffman to pay off money he unwittingly stole from him.

Costing a meager $15 Million, the film failed to make that much in domestic theatres. It did, though, surpass the number worldwide (barely).

Runaway Jury (2003)
Hoffman would finally have a chance to work with his friend of fifty years, Gene Hackman, in Gary Fleder's Runaway Jury, an adaptation of John Grisham's bestselling novel.

In the film, John Cusack and Rachel Weisz portray two important factors in a large murder trial, one on the jury, working on the inside, and the other playing the outside. Hoffman portrays the plaintiff's attorney, while Hackman plays the jury consultant for the defense.

In a pivotal and dramatic scene, Hoffman's and Hackman's characters have an argument in the court bathroom. The two friends rehearsed this scene for days.

Receiving good reviews all round, the film performed somewhat poorly at the box office, failing to recoup its $60 Million budget domestically.

Finding Neverland(2004)
Hoffman played the small role of theatre owner Charles Frohman in Marc Forster's dream-like J.M. Barrie biopic Finding Neverland.

The film, costarring Johnny Depp, Kate Winslet, Julie Christie and Freddie Highmore, received rave reviews, was a hit at the box office and earned the film seven Academy Award nominations - including Best Picture and Best Actor (Depp).

I ♥ Huckabees (2004)
In director David O. Russell's I ♥ Huckabees, Hoffman played Bernard, one half of an existential detective team (the other half being Lily Tomlin) hired to spy on Albert (Jason Schwartzman) in order to answer his questions about the meaning of his life and the nature of coincidence.

The film received polarized reviews and failed commercially, but became an instant cult hit.

Meet the Fockers (2004) is a comedy film and a sequel to Meet the Parents which saw Hoffman co-starring with Robert DeNiro and Ben Stiller. The film was directed by Jay Roach (Austin Powers). In addition to Hoffman, DeNiro and Stiller, Meet the Fockers has an all-star cast of Barbra Streisand, Teri Polo, Blythe Danner, Tim Blake Nelson and Owen Wilson. The film went on to become one of the highest grossing comedies in history, and Hoffman won the 2005 MTV Movie Award for Best Comedic Performance.

Also, Hoffman recently was featured in cameo roles in Andy Garcia's The Lost City and on the final episode of HBO sitcom "Curb Your Enthusiasm"'s fifth season.

His role in 2006's Stranger Than Fiction pushed further into the comedic vein that Hoffman's performances have been mining in his latter years. He gave an interviewto stv's Grant Lauchlan in December 2006 and discussed the importance of comedy in life and work.

In 2006 Hoffman played the perfumier Giuseppe Baldini in Tom Tykwer's film Perfume - The story of a murderer.

He had a small cameo in the 2006 film, The Holiday.

He was said to come up with a joke for Ellen DeGeneres in the Academy Awards involving the Oscar statue being nude with no genitalia. However, the statue is actually a knight.

Private life

Hoffman has two children (Karina and Jenna) with his first wife Anne Byrne (married May 1969; divorced in 1980), and four more (Jacob, Maxwell, Rebecca and Alexandra) with wife Lisa Gottsegen, who is an attorney (married since October 1980). Hoffman also has two grandchildren.

A political liberal, Hoffman has long supported the Democratic Party, as well as Ralph Nader.

He is unrelated to fellow Academy Award winner Philip Seymour Hoffman.

Trivia

The rock band Of Montreal made an album called The Early Four Track Recordings which tells a fictional, sarcastic story about Dustin Hoffman.

Robert Duvall was a roommate of Hoffman in college. Duvall and Hoffman tease each other on the matter of acting training, as Duvall was trained by Sanford Meisner whereas Hoffman was brought up on Lee Strasberg's method acting. Hoffman is good friends with actor Gene Hackman. They shared an apartment for a time.

Hoffman on a talk show once stated that the Oscars were "obscene, dirty and no better than a beauty contest". When presenting an award at the 1974 Oscar ceremonies, Frank Sinatra responded strongly: "Contrary to what Mr. Hoffman thinks, it is not an obscene evening. It is not garish and it is not embarrassing."

Before auditioning for the part in The Graduate, Hoffman was slated to play Leo Bloom in The Producers.

In reference to the poor reviews that Hoffman's film Ishtar received, Gary Larson did a Far Side cartoon entitled "Hell's Video Store" in which the only video available was Ishtar.

Filmography

The Star Wagon (1967) The Tiger Makes Out (1967) The Graduate (1967) Madigan's Millions (1968) Sunday Father (1969) (short subject) Midnight Cowboy (1969) John and Mary (1969) Little Big Man (1970) On Location: Dustin Hoffman (1971) (short subject) Who Is Harry Kellerman and Why Is He Saying Those Terrible Things About Me? (1971) Straw Dogs (1971) Alfredo, Alfredo (1972) Papillon (1973) Lenny (1974) The Magic of Hollywood... Is the Magic of People (1976) (short subject) All the President's Men (1976) Marathon Man (1976) Straight Time (1978) (also producer) Agatha (1979) Kramer vs. Kramer (1979) (Oscar Winner - Best Actor in a Leading Role) Tootsie (1982) Death of a Salesman (1985) Private Conversations (1986) (documentary) Ishtar (1987) Rain Man (1988) (Oscar Winner - Best Actor in a Leading Role) Common Threads: Stories from the Quilt (1989) (documentary) (narrator) Family Business (1989) Dick Tracy (1990) Billy Bathgate (1991) Hook (1991)

Hero (1992) Jonas in the Desert (1994) (documentary) Outbreak (1995) American Buffalo (1996) Sleepers (1996) Mad City (1997) Wag the Dog (1997) Sphere (1998) The Messenger: The Story of Joan of Arc (1999) Tuesday (2001) (short subject) (voice) Goldwyn (2001) (documentary) (narrator) Moonlight Mile (2002) The Shakespeare Sessions (2003) (documentary) Confidence (2003) Runaway Jury (2003) Freedom2speak v2.0 (2004) (documentary) Finding Neverland (2004) I ♥ Huckabees (2004) Meet the Fockers (2004) Lemony Snicket's A Series of Unfortunate Events (2004) (Cameo) Racing Stripes (2005) (voice) The Lost City (2005) Perfume: The Story of a Murderer (2006) Stranger Than Fiction (2006) Car Wars (2006) (currently in pre-production) Mr. Magorium's Wonder Emporium (2007) Kung Fu Panda (2008) (currently in production)

Awards
Preceded by Jon Voight for Coming Home	Academy Award for Best Actor 1979 for Kramer vs. Kramer	Succeeded by Robert De Niro for Raging Bull
Preceded by Jon Voight for Coming Home	Golden Globe Award for Best Actor - Motion Picture Drama 1980 for Kramer vs. Kramer	Succeeded by Robert De Niro for Raging Bull
Preceded by Dudley Moore for Arthur	Golden Globe Award for Best Actor - Motion Picture Musical or Comedy 1983 for Tootsie	Succeeded by Michael Caine for Educating Rita
Preceded by Michael Douglas for Wall Street	Academy Award for Best Actor 1988 for Rain Man	Succeeded by Daniel Day-Lewis for My Left Foot
Preceded by Michael Douglas for Wall Street	Golden Globe Award for Best Actor - Motion Picture Drama 1989 for Rain Man	Succeeded by Tom Cruise for Born on the Fourth of July
Preceded by Robert Wise	AFI Life Achievement Award 1999	Succeeded by Harrison Ford

Wikipedia information about Dustin Hoffman This article is licensed under the GNU Free Documentation License. It uses material from the Wikipedia article "Dustin Hoffman". It may not have been reviewed by professional editors (see full disclaimer). Help contribute to Americola and edit this article.