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VersionsDolby Digital includes several similar technologies. Dolby DigitalImage:Dolbytrailerdvd07.png Dolby Digital logo that is sometimes shown on DVDs before the feature film starts
This codec has several aliases, which are different names for the same codec:
Dolby Digital EXDolby Digital EX is similar in practice to Dolby's earlier Pro-Logic format, which utilized Matrix technology to add a center and single rear surround channel to stereo soundtracks. EX adds an extension to the standard 5.1 channel Dolby Digital codec in the form of matrixed rear channels, creating 6.1 or 7.1 channel output. However, the format is not considered a true 6.1 or 7.1 channel codec because it lacks the capability to support a discrete 6th channel unlike the competing DTS-ES codec. Dolby Digital LiveDolby Digital Live (DDL) is a real-time encoding technology for interactive media such as video games. It converts any audio signals on a PC or game console into the 5.1-channel Dolby Digital format and transports it via a single S/PDIF cable.[1] The SoundStorm, used for the Xbox game console and certain nForce2-based PCs, used an early form of this technology. Dolby Digital Live is currently available in sound cards from manufacturers such as Turtle Beach[2] and Auzentech[3], as well as on motherboards with codecs such as Realtek's ALC-882D[4] and ALC-888[5] A similar technology known as DTS Connect is available from competitor DTS. Dolby Digital Surround EX
Dolby Digital PlusDolby Digital Plus is an enhanced coding system based on the AC-3 codec. It offers increased bitrates (up to 6.144 Mbit/s), support for more audio channels (up to 13.1), improved coding techniques to reduce compression artifacts, and backward compatibility with existing AC-3 hardware. Dolby TrueHDDolby TrueHD, from Dolby Laboratories, is an advanced lossless audio codec based on Meridian Lossless Packing. Support for the codec is mandatory for HD DVD and optional for Blu-ray Disc hardware. TrueHD supports 24 bit, 96 kHz audio channels at up to 18 Mbit/s over 8 channels (although HD DVD and Blu-ray Disc standards currently limit their maximum number of audio channels to eight, Dolby TrueHD can output up to 14 sound channels simultaneously). It also supports extensive metadata, including dialog normalization and Dynamic Range Control. Channel configurationsAlthough most commonly associated with the 5.1 channel configuration, Dolby Digital allows a number of different channel selections. The full list of available options is:
All of these configurations can optionally include the extra Low Frequency Effect (LFE) channel. The last two with stereo surrounds can optionally use Dolby Digital EX matrix encoding to add an extra Rear Surround channel. Many Dolby Digital decoders are equipped with downmixing functionality to distribute encoded channels to available speakers. This includes such functions as playing surround information through the front speakers if surround speakers are unavailable, and distributing the center channel to left and right if no center speaker is available. When outputting to separate equipment over a 2-channel connection, a Dolby Digital decoder can optionally encode the output using Dolby Surround to preserve surround information. The '.1' in 5.1, 7.1 etc. refers to the LFE channel, which is also a discrete channel. Applications of Dolby DigitalImage:35mm film audio macro.jpg Dolby Digital recording on 35mm film (between the sprocket holes). Look very closely and you will see the Dolby "Double-D" logo in the middle of the code pattern. Dolby Digital SR-D cinema soundtracks are optically recorded on a 35mm release print using sequential data blocks placed between every perforation hole on the sound track side of the film. A CCD scanner in the projector picks up a scanned video image of this area, and a processor correlates the image area and extracts the digital data as an AC-3 bitstream. These data are finally decoded into a 5.1 channel audio source. Dolby Digital audio is also used on DVD-Video and other purely digital media, like home cinema. In this format, the AC-3 bitstream is interleaved with the video and control bitstreams. The system is used in many bandwidth-limited applications other than DVD-Video, such as digital TV. The AC-3 standard allows a maximum coded bit rate of 640 kbit/s. 35mm film prints use a fixed rate of 320 kbit/s. HD-DVD and DVD-Video discs are limited to 448 kbit/s, although many players can successfully play higher-rate bitstreams (which are non-compliant with the DVD specification.) ATSC and Digital cable TV standards limit AC-3 to 448 kbit/s. Both Blu-Ray Disc, the Sony Playstation3 and the Microsoft Xbox game console can output an AC-3 signal at a full 640Kbps. Some Sony Playstation2 console games are also capable to output AC-3 standard audio as well. In certain console and PC games, for example, games from the Sony Playstation2 console platform, is capable to output real time Dolby Pro Logic or Dolby Pro Logic II audio during game play. Dolby is part of a group of organizations involved in the development of AAC (Advanced Audio Coding), part of MPEG specifications, and also considered the successor to MP3. AAC outperforms AC-3 at any bitrate, but is more complex. The advantages of AAC become clearly audible at less than 400 kbit/s for 5.1 channels, and at less than 180 kbit/s for 2.0 channels. Dolby Digital Plus (DD-Plus) is supported in HD DVD, as a mandatory codec, and in Blu-ray Disc, as an optional codec. Dolby Technologies in packaged media formats
See also
Technical detailsThe data layout of AC-3 is described by simplified "C" like language in official specifications. An AC-3 stream is made up by a series of synchronization frames, which are composed of six audio blocks. Each audio block contains 256 audio samples per channel. Note 6×256 = 1536 = Audio frame size. Below is a simplified AC-3 header intended to give an introduction into the data syntax. A detailed description of the header can be found in the ATSC "Digital Audio Compression (AC-3) Standard", section 5.4.
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