Culture of Greece

The Culture of Greece has evolved over thousands of years, with its beginnings in the Mycenean and Minoan Civilizations, continuing most notably into Classical Greece, through the influence of the Roman Empire and its Greek Eastern successor the Byzantine Empire. The Ottoman Empire too had a significant influence on Greek Culture, but the Greek war of independence is credited with revitalizing Greece and giving birth to a single entity of its multi-faceted culture throughout the ages.

Attitudes

Greek people in general feel a strong link with their past, emphasizing the Classical period of greek history, its links via the Hellenistic world to Byzantium, and on to the present. Both Classical and Byzantine Greece represent for the majority of Greeks the precursors of the modern day Hellenic Republic. For a time in the late nineteenth and early twentieth century the former boundaries of the Byzantine Empire, or more specifically those which until this period had still retained their Greek populations, came for some to represent an ideal extent of the modern state. The cultural and linguistic continuity of the Greek people, however complicated it may have been through history by outside influences, such as Christianity upon latter antiquity, or pressure from without in the final stages of the Byzantine Empire, are things that are strongly emphasized by today's Greeks - being as they are, one of the most patriotic nations in Europe, according to Eurostat.

Following the Revolution of 1821 (for more information, see Greek War of Independence), Greece went through a period of artistic and cultural revival. Greeks today tend to regard the years before the Revolution, those of occupation of Greece by the Ottoman Empire, as the 'years of darkness', in which cultural development was perceived to have halted completely. Despite evidence to the contrary (particularly in regard of Cretan literature), Greece's revival following the formation of the first Hellenic Republic in 1831 is regarded by a huge majority of Greeks as the 'rebirth' of their nation.

Experience of occupation, both in the Ottoman and modern era, has left an indelible mark on the Greek psyche. In the twentieth century, the trauma of the Greek Civil War during which time the nation became the first theatre of the Cold War immediately following World War II, which itself brought a Nazi occupation of enormous privations, and the perceived interference of the U.S. in creating the Regime of the Colonels, which brutally Governed Greece from 1967 to 1974, led cumulatively to the emergence of an 'Ethnos Anadelfon' (or 'Brotherless Nation') idea, emphasizing the only people Greeks could count on were themselves and their countrymen. However, from the mid-1970s onward, in parallel with Spain and Portugal, and above all following the entry of Greece into the European Union in 1981, Greece's orientation, and the aspirations of its majority, became focused around the European mainstream.

Greeks remain on the whole an extrovert and friendly people, known for their hospitality and somewhat relaxed approach to the demands and pressures of daily life, by turns common to all Southern European nations and their peoples, and in an earlier era captured by Nikos Kazantzakis' novel Alexis Zorbas. Some in Greece regard this 'live and let live' approach, however, as in economic terms most clearly conveyed as a poor work ethic ; others prefer to reaffirm their position by highlighting the near sub-tropical climate of much of Greece compared to much of Western Europe and thus the necessity for the famous afternoon 'siesta'.

The Arts

The art and architecture of Ancient Greece have greatly influenced Western art through to the present day. Byzantine art and architecture also played an important role in early Christianity, and remain a significant influence in the Orthodox Christian nations of Eastern Europe and Eurasia. Yet, due to the ravages of history, only a minor assortment of ancient Greek art has survived - most frequently in the form of sculpture and architecture and minor arts, including coin design, pottery and gem engraving. Greece also has a rich history of contemporary art from the revolution onwards.

Architecture

Main article: Greek Architecture

Remains of ancient Greek architecture still survive or are well documented today alongside more modern examples.

The ancient Greeks developed two primary styles (or "Classical orders"); the restrained and solid Doric and the refined and decorated Ionic. It should be noted that the Ionic style eventually evolved into the more ornate Corinthian style.

The form of ancient Greek temples, a rectangular shape, surrounded by colonnades surmounted by a triangular pediment, built from limestone or marble, remains a popular style to date. While the arch was familiar to the Trojens, it was not widely used, in contrast to later Roman buildings. Surviving examples of ancient Greek architecture include the Parthenon and the Erechtheum in Athens, and Roman structures based on the Greek model, such as the Pantheon in Rome, which is attributed to the Greek Architect, Apollodoros of Damascus.

Byzantine Architecture was a built form common throughout Greece from the rise of christianity under Constantine to the fall of the Greek empire of Byzantium in 1453 to the Ottoman Turks. It emphasized a Grecian cross layout, the Byzantine capitol style of column (a mixture of Ionic and Corinthian capitols) and a central dome surrounded by several smaller domes. Greece also experienced something of a Neo-Byzantine revival following the Greek Revolution, and quite unsurprisingly, also experienced a growth in Neo-Classical Architecture in the years following the Revolution ; this came into a contact and interaction with traditional Byzantine villa architecture to produce a form specific to modern Greece.

Like other modern capitals, Athens also has its fair share of Modernist and Post-Modernist architecture, more particularly the latter in several new constructions by Santiago Calatrava for the Athens Olympics of 2004.

Painting and sculpture

Main articles: Greek Art

In contrast to other illustrated forms, surviving ancient Greek paintings are very rare. Greek painters worked mainly on wooden panels, and the finest works were admired for hundreds of years after their creation. However, these paintings rapidly disappeared after the 4th century AD when they were no longer adequately protected. In addition to sub-standard Roman copies, for example in Pompeii, rare surviving examples have been found in the tombs of the kings of Macedon at Vergina, at Lefcadia also in ancient Macedon, as well as Kazanlak in ancient Thrace.

Surviving examples of the ancient Greek sculpture are more common, particularly the works of the Greek master sculptors, such as Phidias and Praxiteles. These artists and their followers were frequently emulated by the Romans. However, the Christians of the 4th and 5th centuries viewed the destruction of pagan idols as an act of piety. Many ancient marble sculptures were burned to form lime in the Middle Ages, and most bronze statues were melted down for their metal. The marble statues that escaped destruction were spared as they were either buried and forgotten, or in the case of bronzes, lost at sea.

In the Byzantine period, religious art was the dominant theme, with highly-decorated mosaics and icons adorning religious buildings. The Renaissance artist, El Greco (Domenikos Theotocopoulos), responded to Byzantine and 16th century Mannerist art, producing sculpture and paintings with a liberated form, light and colour that inspired 20th century artists such as Pablo Picasso and Jackson Pollock.

Moreover, an important and often pioneering role was played by artists from Ionian islands in the 18th and the beginning of the 19th century, who exploited developments of the Italian Renaissance and baroque ateliers. As efforts persisted with new directions and objectives, Greek artists emerging in the world during the first decades of the 19th century reconnected Greek art with its ancient tradition, as well as with the quests of the European ateliers, especially those of the Munich School, with defining examples of the Greek contemporary art of the period including the work of Theodoros Vryzakis and Nikiphoros Lytras. In the early twentieth century Demetrios Galanis, a contemporary and friend of Picasso, achieved wide recognition in France and lifelong membership of the Academie Francaise following his acclaim by the critic Andre Malreaux as an artist capable "of stirring emotions as powerful as those of Giotto". Later in the century Nikos Engonopoulos achieved international recognition with his surrealist conceptions both of painting and poetry, while in the late 1960s Dimitris Mytaras and Yiannis Psychopedis became associated with European critical realism.

Greece has continued an ancient sculptural tradition well into the Modernist and Post-Modernist eras, with contributors including philosopher Costas Axelos and the more famous Constantine Andreou, recipient of the French Legion of Honor.

Pottery and coins

Main articles: Pottery of Ancient Greece; Greek coins Ancient Greece was also renowned for its pottery, which included everything from drinking vessels to urns. Black-figure pottery, in which the decorations appear as black silhouettes over a red background, are highly representative of early Greek craftsmanship. Later forms include red-figure pottery and white-figure pottery. Greek Pottery is ancient and interesting.

The Greeks did not view coin design as a major art form. Nevertheless, the durability and abundance of coins have designated them as one of the most important sources of knowledge about Greek aesthetics. Coins were invented in Lydia during the 7th century BC, but were first extensively used by the Greeks, who set the canon of coin design which has been followed ever since, this form of art is of particular importance when studying the Byzantine era. The Greeks made coins primarily out of bronze.

See also: Ode on a Grecian Urn, Hydriotaphia, Urn Burial

Cinema

Main article: Greek cinema

Cinema first appeared in Greece in 1897 but the first actual theater was built later in 1907. The first production began in 1914 as the Asty Film company was founded and the production of long films begun. Golfo (Γκόλφω), a well known traditional love story, is the first Greek long movie, although there were several minor productions such as newscasts before this point.

Greek cinema has had a varied history, going from points of relative stagnation to some very memorable productions. The 1920s to the end of the 1940s were host to some relatively notable films, such as Έρως και κύματα (1928 directed by D. Gaziadis), and Applause (Χειροκροτήματα) (1944, directed by G. Tzavelas), and most notably in 1944 Katina Paxinou was honoured with the Best Supporting Actress Academy Award for For Whom the Bell Tolls.

The Golden age of Greek cinema is universally considered to be the 1950s - in which production rose to a height of 60 films a year, and in which productions such as Stella, directed by one of Greece's most famous directors Michael Cacoyannis, shot to prominence internationally as well in Greece and Cyprus. Notable actors and directors from this period include Alekos Sakelarios, Nikos Tsiforos, Ellie Lambeti, Dinos Iliopoulos and Irene Papas. Cacoyannis in particular continued this tradition well into the 1960s with his production of Alexis Zorbas, becoming a winner of 3 Academy awards.

Since this period Greek cinema has been relatively stop and go in its consistency, apart from films such as Loafing and Camoflage (Λούφα και Παραλλαγή), which hit a popular nerve of the continual Greek and Turkish standoffs in the Aegean using comedy. Other political themes touched on in recent film include immigration from Albania, for example "Μετέωρο βήμα του πελαργού, Το" (1991) (in English: The Suspended Step of the Stork) directed by Theo Angelopoulos.

Most recently however, films such as Politiki kouzina (A Touch of Spice in English) and the sex taboo comedy 'Safe Sex' have signalled an upward trend in the quality of Greek cinema ; this can be largely correlated to an unmatched period of economic prosperity in Greece, which has led to an increased cultural output across all parts of the Arts, both physical and visual.

Language

Main article: Greek language

The Greek language is the official language of the Hellenic Republic and has a total of 15 million speakers worldwide; it is an Indo-European language. The Greek language is particularly remarkable in the depth of its continuity from its beginnings in pre-history as the Linear A script associated with Minoan civilization, on to the more recognizable Linear B script, and then eventually the dialects of Ancient Greek, of which Attic Greek bears the most resemblance to Modern Greek. The history of the language spans 3000 years.

Greek has had enormous impact on other languages both directly on the Romance languages, and indirectly through its influence on the emerging Latin language during the early days of Rome. Signs of this influence, and its many developments, can be seen throughout the family of Western European languages.

The Internet and "Greeklish"

More recently, due to the rise of internet-based communication services as well as cell phones, a distinctive form of Greek written partially, and sometimes fully in Latin characters has emerged ; this is known as Greeklish, a form that has spread across the Greek diaspora and even to the two Greek nations, Cyprus and Greece. To date there have been publications in "Greeklish"

Katharévousa

Main article: Katharevousa

Katharévousa is a purified form of the Greek Language midway between modern and ancient forms set in train during the early 19th century by Greek intellectual and revolutionary leader Adamantios Korais, intended to return the Greek language closer to its ancient form. Its influence, in recent years, evolved toward a more formal role, and it came to be used primarily for official purposes such as diplomacy, politics and other forms of official documentation. It has nevertheless had significant effects on the Greek language as it is still written and spoken today, and both vocabulary and grammatical and syntactical forms have re-entered Modern Greek via Katharevousa.

Dialects

There are a variety of dialects of the Greek language, the most notable include Cappadocian, Cypriot Greek, Pontic Greek, the Griko language spoken in Southern Italy, and Tsakonian, still spoken in the modern prefecture of Arcadia and widely noted as a surviving regional dialect of Doric Greek . These respective dialects form part of the regional cultures that make up the national culture as a whole.

Literature

Main article: Greek literature

Greece has a remarkably rich and resilient literary tradition, extending over 2800 years and through several eras. The Classical era is that most commonly associated with Greek Literature, beginning in 800 BCE and maintaining its influence through to the beginnings of Byzantine period, whereafter the influence of Christianity began to spawn a new development of the Greek written word. The many elements of a millennia-old tradition are reflected in Modern Greek literature, including the works of the Nobel laureates Odysseus Elytis and George Seferis.

Classical Greece

The first recorded works in the western literary tradition are the epic poems of Homer and Hesiod. Early Greek lyric poetry, as represented by poets such as Sappho and Pindar, was responsible for defining the lyric genre as it is understood today in western literature. Aesop wrote his Fables in the 6th century BC. These innovations were to have a profound influence not only on Roman poets, most notably Virgil in his epic poem on the founding of Rome, the Aeneid, but one that flourished throughout Europe.

Classical Greece is also judged the birthplace of theatre. Aeschylus introduced the ideas of dialogue and interacting characters to playwriting and in doing so, he effectively invented "drama": his Oresteia trilogy of plays is judged his crowning achievement. Other refiners of playwriting were Sophocles and Euripides. Aristophanes, a comic playwright, defined and shaped the idea of comedy as a theatrical form.

Herodotus and Thucydides are often attributed with developing the modern study of history into a field worthy of philosophical, literary, and scientific pursuit. Polybius first introduced into study the concept of military history.

Philosophy entered literature in the dialogues of Plato, while his pupil Aristotle, in his work the Poetics, formulated the first set criteria for literary criticism. Both these literary figures, in the context of the broader contributions of Greek philosophy in the Classical and Hellenistic eras, were to give rise to idea of Political Science, the study of political evolution and the critique of governmental systems.

Byzantine Greece

Main article: Byzantine Literature The growth of Christianity throughout the Greco-Roman world in the 4th, 5th and 6th centuries, together with the Hellenization of the Byzantine Empire of the period, would lead to the formation of a unique literary form, combining Christian, Greek, Roman and Oriental (such as the Persian Empire) influences. In its turn, this would promote developments such as Cretan poetry, the growth of poetic satire in the Greek East, and the several pre-eminent historians of the period

Modern Greece

Modern Greek Literature was born out of the Greek Revolution of 1821 and the subsequent independence of Greece in 1831, and as such, Greek literature of the period is heavily influenced by revolutionary themes, although the impact of the Greek literature of the Enlightenment could also be highlighted, as well as the influence of the Byzantine Empire's Acritic songs and romance.

Moving into the twentieth century, the modern Greek literary tradition spans the work of Constantine P. Cavafy, considered a key figure of twentieth century poetry, Giorgos Seferis (whose works and poems aimed to fuse the literature of Ancient and Modern Greece) and Odysseas Elytis, both of whom won the Nobel Prize for Literature. Nikos Kazantzakis is also considered a dominant figure, with works such as The Last Temptation of Christ and Christ recrucified receiving international recognition. Vassilis Vassilikos is widely translated.

Religion

Main articles: Greek religion, Eastern Orthodoxy

Classical Greece

The pantheon of classical Greece, with its origins in Mycenean Greece, maintains its fascination in modern Greece, not only as a consequence of what are, for inhabitants, the inescapable physical remnants of the temples that dot the landscape and defined western architecture until early in the twentieth century, but more directly because there remain, according to Greek interior ministry figures, around 30,000 adherents living in Greece today. The legacy of Greek mythology continues to exert a profound hold not only on the wider modern western popular imagination, but on modern Greek literature.

Classical Athens produced philosophers who heralded some of the same religious ideas that would later be promoted by Christianity, such as Aristotle's invocation of a perfect God, and Heraclitus' Logos. Plato considered there were rewards for the virtuous in the heavens and punishment for the wicked under the earth ; the soul was valued more highly than the material body, and the material world was understood to be imperfect and not fully real (illustrated in Socrates's allegory of the cave).

Hellenistic Greece

Alexander's conquests spread classical concepts about the divine, the afterlife, and much else across the eastern Mediterranean area. Jews and early Christians alike adopted the name "hades" when writing about "sheol" in Greek. By the advent of Christianity, the four original patriarchates beyond Rome used Greek as their church language.

Modern Greece

The Greek Orthodox Church, due largely to the importance of Byzantium in Greek history, as well as its role in the revolution, is a major institution in modern Greece. Its roles in society and larger role in overarching Greek culture are very important; many Greeks attend Church at least once a month and the Eastern Orthodox Easter holiday holds special significance. The Church of Greece also retains limited political influence through the fact the Greek constitution does not have an explicit separation of Church and State; a debate in the early 2000s about identification cards and whether religion should be listed on them highlights the friction between state and church on many issues; the church unsurprisingly did not get its way. A widely publicised set of corruption scandals in 2004 implicating a small group of senior churchmen also increased national debate on introducing a greater transparency to the church-state relationship.

Greek Orthodox Churches dot both the villages and towns of Greece and come in a variety of architectural forms, from older Byzantine churches, to more modern white brick churches, to newer cathedral-like structures with evident Byzantine influence. Greece (as well as Cyprus), also polled as, ostensibly, one of the most religious countries in Europe, according to Eurostat; however, while the church is guaranteed respect as a moral and cultural institution, a contrast in religious belief with Protestant northern Europe is more obvious than one with Catholic mediterranean Europe.

Greece also has a significant minority of Muslims in Eastern Thrace (numbering around 100-150,000), with their places of worship guaranteed since the 1923 Treaty of Lausanne. The Greek state has fully approved the construction a main mosque for the more recent muslim community of Athens under the freedom of religion provisions of the Greek constitution.

Philosophy, science and mathematics

Main articles: Greek Philosophy, Science, and Mathematics

The Greek world is widely regarded as having given birth to scientific thought by means of observation, thought, and development of a theory without the intervention of a supernatural force. Thales, Anaximander and Democritus were amongst those contributing significantly to the establishment of this tradition. It is also, and perhaps more commonly in the western imagination, identified with the dawn of Western Philosophy, as well as a mapping out of the Natural Sciences. Greek developments of mathematics continued well up until the decline of the Byzantine Empire. In the modern era Greeks continue to contribute to the fields of Science, Mathematics and Philosophy.

Classical Greece

The tradition of philosophy in Ancient Greece accompanied its literary development. Greek learning had a profound influence on Western and Middle Eastern civilization. The works of Socrates, Plato, Aristotle, and other Greek philosophers profoundly influenced Classical thought, the Islamic Golden Age, and the Renaissance.

In medicine, doctors still refer to the Hippocratic oath, instituted by Hippocrates, regarded as foremost in laying the foundations of medicine as a science. Galen built on Hippocrates' theory of the four humours, and his writings became the foundation of medicine in Europe and the Middle East for centuries. The physicians Herophilos and Paulus Aegineta were pioneers in the study of anatomy, while Pedanius Dioscorides wrote an extensive treatise on the practice of pharmacology.

The period of Classical Greece (from 800BC until the rise of Macedon, a Greek state in the north) is that most often associated with Greek advances in science. Thales of Miletus is regarded by many as the father of science; he was the first of the ancient philosophers to seek to explain the physical world in terms of natural rather than supernatural causes. Pythagoras was a mathematician often described as the "father of numbers"; it is believed that he had the pioneering insight into the numerical ratios that determine the musical scale, and the Pythagorean theorem is commonly attributed to him. Diophantus of Alexandria, in turn, was the "father of algebra". Many parts of modern geometry are based on the work of Euclid, while Eratosthenes was one of the first scientific geographers, calculating the circumference of the earth and conceiving the first maps based on scientific principles.

The Hellenistic period, following Alexander's conquests, continued and built upon this knowledge. Hipparchus is considered the pre-eminent astronomical observer of the ancient world, and was probably the first to develop an accurate method for the prediction of solar eclipse, while Aristarchus of Samos was the first known astronomer to propose a heliocentric model of the solar system, though the geocentric model of Ptolemy was more commonly accepted until the seventeenth century. Ptolemy also contributed substantially to cartography and to the science of optics. For his part Archimedes was the first to calculate the value of π and a geometric series, and also the earliest known mathematical physicist discovering the law of buoyancy, as well as conceiving the irrigation device known as Archimedes' screw.

Byzantine Greece

The Byzantine period remained largely a period of preservation in terms of classical Greco-Roman texts ; there were, however, significant advances made in the fields of medicine and historical scholarship. Theological philosophy also remained an area of study, and there was, while not matching the achievements of preceding ages, a certain increase in the professionalism of study of these subjects, epitomized by the founding of the University of Constantinople.

Isidore of Miletus and Anthemius of Tralles, the architects of the famous Hagia Sophia in Constantinople, also contributed towards mathematical theories concerning architectural form, and the perceived mathematical harmony needed to create a multi-domed structure. These ideas were to prove a heavy influence on the Ottoman architect Sinan in his creation of the Blue Mosque, also in Constantinople. Tralles in particular produced several treatises on the Natural Sciences, as well as his other forays into mathematics such as Conic Sections.

The gradual migration of Greeks from Byzantium to the Italian city states following the decline of the Byzantine Empire, and the texts they brought with them combined with the academic positions they held, was a major factor in lighting the first sparks of the Italian Renaissance.

Modern Greece

Greeks continue to contribute to science in the modern world. John Argyris, a Greek mathematician and engineer, is responsible for the invention of finite element analysis and the direct stiffness method, relative to physics. Mathematician Constantin Carathéodory worked in the fields of real analysis, the calculus of variations, and measure theory in the early 20th century, and went on to assist Albert Einstein in the mathematical part of his theory of relativity. Biologist Fotis Kafatos pioneers in the field of molecular cloning and genomics ; Dimitris Nanopoulos is a noted theoretical physicist, having made significant contributions to the fields of particle physics and cosmology. In medicine, Georgios Papanikolaou contributed heavily to the development of cancer screening with his Pap smear. The Greek car designer Alec Issigonis created the iconic Mini, while the computer scientist Michael Dertouzos was amongst the pioneers of the internet.

Dance

Main article: Greek Dance

Greece has a continuous history of native dances reaching from antiquity till the modern era. It began in the Minoan period.

Classical Greece

Ancient Greeks believed that dancing was invented by the Gods and therefore associated it with religious ceremony. They believed that the Gods offered this gift to select mortals only, who in turn taught dancing to their fellow-men.

Periodic evidence in ancient texts indicates that dance was held in high regard, in particular for its educational qualities. Dance, along with writing, music, and physical exercise, was fundamental to the education system and many classical authors extol its virtues as means of cultivating body and soul.

Byzantine Greece

Though we have only a few precise descriptions of Byzantine dances, it is known they were often "intertwined". The leader of the dance was called the koryphaios or chorolektes, and it was he who began the song and ensured that the circle was maintained. Efstathios of Thessaloniki mentions a dance which commenced in a circle and ended with the dancers facing one another. When not dancing in a circle the dancers held their hands high or waved them to left and right. They held cymbals (very like the zilia of today) or a kerchief in their hands, and their movements were emphasized by their long sleeves. As they danced, they sang, either set songs or extemporized ones, sometimes in unison, sometimes in refrain, repeating the verse sung by the lead dancer. The onlookers joined in, clapping the rhythm or singing. Professional singers, often the musicians themselves, composed lyrics to suit the occasion.

Byzantine instruments included the guitar, single, double or multiple flute, sistrum, timpani (drum), psaltirio, Sirigs, lyre, cymbals, keras and kanonaki.

Popular dances of this period included the Syrtos, Geranos, Mantilia , Saximos, Pyrichios, and Kordakas . Some of these dances have their origins in the ancient period and are still enacted in some form today.

Modern Greece

Greece is one of the few places in Europe where the day-to-day role of folk dance is sustained. Rather than functioning as a museum piece preserved only for performances and special events, it is a vivid expression of everyday life. Occasions for dance are usually weddings, family celebrations, and paneyeria (Patron Saints' name days). Dance has its place in ceremonial customs that are still preserved in Greek villages, such as dancing the bride during a wedding and dancing the trousseau of the bride during the wedding preparations. The carnival and Easter offer more opportunities for family gatherings and dancing. Greek taverns providing live entertainment often include folk dances in their program.

Regional characteristics have developed over the years because of variances in climatic conditions, land morphology, and people's social lives. In later years, wars, international pacts and consequent movement of populations, and even movements of civil servants around the country, intermingled traditions. People learned new dances, adapted them to their environment, and included them in their feasts. Kalamatianos and Tsamikos are considered panhellenic dances and are danced all over the world in diaspora communities. Others have also crossed boundaries and are known beyond the regions where they originated ; these include theKaragouna from Thessaly, the Pentozalis from Crete, the Zonaradikos from Thrace, the Tik from Pontos, and the Balos from the Aegean Islands.

The avant-garde choreographer, director and dancer Dimitris Papaioannou was responsible for the critically successful Opening Ceremony of the 2004 Olympic Games, with a conception that reflected the classical influences on modern and experimental Greek dance forms.

Music

Main article: Music of Greece

Greece has a diverse and highly influential musical tradition, with ancient music influencing the Roman Empire, and Byzantine liturgical chants and secular music influencing the Renaissance. Modern Greek music combines these elements, as well as influences from the Middle East, to carry Greeks' interpretation of a wide range of musical forms.

Classical Greece

The history of music in Greece begins once more, as one might expect, with the music of ancient Greece, largely structured on the