Being John Malkovich

Being John Malkovich
Image:Being John Malkovich poster.jpg Being John Malkovich movie poster
Directed by	Spike Jonze
Produced by	Steve Golin Vincent Landay Sandy Stern Michael Stipe
Written by	Charlie Kaufman
Starring	John Cusack Cameron Diaz Catherine Keener John Malkovich
Music by	Carter Burwell
Cinematography	Lance Acord
Editing by	Eric Zumbrunnen
Distributed by	USA Films (1999-2002) Image:Earth flag PD.jpg Universal Pictures (non-USA only 1999-2002, worldwide since 2002)
Release date(s)	Image:Flag of the United States.svg September 2, 1999 Image:Flag of Australia.svg December 26, 1999 March 17, 2000 Image:Flag of New Zealand.svg May 18, 2000
Running time	112 min
Language	English
Budget	$13,000,000 (estimated)
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Being John Malkovich is a 1999 film written by Charlie Kaufman and directed by Spike Jonze.

The film was widely praised for its originality, both in terms of the script and Jonze's direction. Kaufman's blending of fact and outrageous fiction was a theme continued in his next film with Jonze, Adaptation. Malkovich's performance as himself attracted considerable attention, as did Cameron Diaz's role as the dowdy Lotte, in which she was almost unrecognizable.

Taglines:

• Ever Wanted To Be Someone Else?
• Be All That Someone Else Can Be.

Cast list

• John Cusack – Craig Schwartz
• Cameron Diaz – Lotte Schwartz
• Catherine Keener – Maxine
• John Malkovich – John Horatio Malkovich
• Orson Bean – Dr. Lester
• Mary Kay Place – Floris (Lester's secretary/receptionist)
• Charlie Sheen – Charlie

Plot

The film centres on Craig Schwartz, an unsuccessful puppeteer involved in a forlorn marriage with his pet-obsessed and secretly bisexual wife Lotte.

On the orders of his wife, Schwartz begins to look for work and gets a job as a filing clerk for LesterCorp at their offices on floor 7½ in the Mertin Flemmer building in Manhattan. He gets to this floor when a woman uses the emergency stop on the elevator and pries the door open with a crowbar. The entire floor is a rather cramped space, and Craig is forced to bend over as he walks around the office.

One day, after moving a filing cabinet to look for an errant folder, Schwartz discovers a mysterious portal which transports him into the consciousness of John Malkovich - allowing him to observe the world through the eyes of his host for about 15 minutes before being unceremoniously dropped into a ditch by the side of the New Jersey Turnpike near the edge of the city.

The puppeteer reveals his discovery to the beautiful Maxine (who has become the object of Schwartz's unrequited desire). After some initial skepticism, she proposes the two form a business called JM, Inc., selling the experience of being John Malkovich for $200 a pop.

Schwartz tells Lotte about the portal and she tries it, entering Malkovich's consciousness as he takes a shower. She is aroused by the sensation and becomes obsessed with the portal, wanting to return to her host's body immediately. The next time she enters Malkovich he is reading from Chekhov’s The Cherry Orchard when Maxine calls to arrange a meeting with Malkovich at 8:00pm that night.

Lotte returns to the portal at 8:00 that night and finds herself deeply attracted to Maxine, who later claims to have sensed that Lotte was inside Malkovich during the pair's meeting.

Lotte cannot stop thinking about Maxine and invites her to dinner. After eating Lasagna and smoking a joint, both Schwartz and Lotte attempt to kiss Maxine, who refuses both of their advances and reveals that she is not remotely interested in Schwartz but is attracted to Lotte (but only when she is inside Malkovich). The pair arrange a liaison when Lotte is inside Malkovich's body and Maxine makes love to Malkovich as soon as she realizes that Lotte is incumbent in his consciousness.

Schwartz and Lotte visit the house of Lester, Schwartz's boss. When Lotte tries to get to the bathroom, she opens a door to a room with a timeline of John Malkovich hung onto the walls.

Schwartz realises the only way he will be able to get Maxine is by pretending to be Lotte in Malkovich's body and forces his wife at gun point to call Maxine and arrange another meeting as Malkovich before tying her in a cage with her pet chimpanzee which Lotte is convinced is suffering from an ulcer due to a traumatic childhood memory.

Maxine seduces Malkovich again, thinking that Lotte is in his mind, but actually it is Schwartz who manages to manipulate Malkovich's body..

Malkovich becomes paranoid that he is being controlled by a supernatural force and, after consulting his friend Charlie, comes to believe that Maxine is a witch. He follows her to the Mertin Flemmer Building where he discovers JM, Inc.—the company Schwartz and Maxine set up to sell the experience of being Malkovich. He enters his own portal, which manifests itself as a world where everyone (male or female) has his head and can only say the word “Malkovich.” He is then dumped at the turnpike. Schwartz meets the severely frightened Malkovich there and Malkovich orders him to close the portal. Schwartz ignores the request and again forces Lotte to arrange a meeting between Maxine and Malkovich.

After Schwartz leaves to enter Malkovich, Lotte's chimp is inspired to untie her, recalling a childhood memory when he and his parents were captured from the jungle and he tried in vain to untie his father. After the escape, she is then able to call Maxine and inform her of Schwartz's deceit. Surprisingly, Maxine tells Lotte that she was also aroused by Schwartz and that she will still be going to meet Malkovich with Schwartz, who is inside him.

This time when Maxine arrives at Malkovich’s apartment Schwartz is able to take total control of his body and the pair make love before deciding that Schwartz will remain inside Malkovich permanently. Schwartz begins to control Malkovich and, as the story jumps forward eight months, we find that he has reinvented himself as the most successful puppeteer the world has ever seen. It is disclosed that he has become married to Maxine, but that the two are becoming increasingly distant and that this distance has been growing as Maxine's now 8 month pregnancy has progressed.

Lotte goes to see Lester, Schwartz's boss, who confesses to her that he has known about the portal for many years and has in fact used it on several occasions in order to live forever in the body of hosts like Malkovich. He has been monitoring Malkovich from a young age and plans to enter his body when it becomes ripe at age 44, along with several of his close friends, and then, they will be able to control it in the way Schwartz has been controlling it. Lester also explains to Lotte that after midnight on the day the host becomes ripe, the portal will move to the next host candidate and that anyone entering after midnight will become trapped in the new host, whose very young subconscious will be powerful enough to overpower whoever has entered the portal. Lotte explains that Schwartz is controlling Malkovich and Lester believes he will be too powerful to remove, so a plan is hatched to force him out of Malkovich.

Lester and his cohorts capture Maxine, then call Malkovich to tell Schwartz they will kill her if he does not leave. Schwartz reluctantly leaves Malkovich and Lester and his friends are able to enter his body in time to take it over. Maxine and Lotte fall in love when Maxine reveals that she has had feelings for her since she and Malkovich first had sex, and that she is carrying the baby of Malkovich from when Lotte was inside him.

Schwartz becomes distraught when he finds this out and rushes back to the portal to attempt to re-enter Malkovich, but it is now after midnight. In a cruel twist ending, we see that he is trapped in the body of the next host, who happens to be Maxine's daughter Emily, conceived by Lotte when she was in Malkovich. Suppressed by the host’s subconscious he is unable to do anything but watch Maxine and Lotte live happily ever after through the eyes of their child.

Trivia

• In the first draft of the script (which circulated on the Internet), Lester and his friends weren't using Malkovich's portal as a means for extending their lives, but in a plot to take over the world in the name of Satan. Satan was the mysterious 'Flemmer' that the Mertin Flemmer building was half named after, and was behind the concept of inhabiting others' brains.
• In the original script, the closing credits were going to play "Put Your Hand Inside the Puppet Head" by They Might Be Giants.
• Craig discovers that LesterCorp is on the 7 1/2 floor of the Mertin Flemmer building by seeing a "7 1/2" on a building directory in the lobby. This moment occurs at the 7 1/2-minute point of the film.
• After the script was written, Kaufman was surprised to learn that 7 1/2 was the actual apartment number of John Malkovich's apartment. He recalls, "it was kind of cool because I thought I might have tapped into something."
• The play that Malkovich is reading into a tape recorder is Chekhov's The Cherry Orchard. The line beginning "I'm as hungry as the winter..." is at the end of Act Two, where Trofimov is speaking to Anya, pontificating on his rejection of materialism.
• The play that John Malkovich is rehearsing on stage is Shakespeare's Richard III. The lines "Was ever a woman in this humour woo'd? / Was ever a woman in this humour won?" are I.ii.239-240, where Richard is gloating over his use of power, lies and crime to obtain the woman he desires, Queen Anne. This rehearsal scene is immediately followed by the first time that Craig has sex with Maxine via Malkovich.
• At the beginning of the film when Craig is trying to guess Maxine's name, one of the names he mumbles is "Emily," the name of the child that Maxine gives birth to at the end of the film. The other names Craig mumbles are an allusion to Dr. Lester and his group of friends that can exist within other souls.
• The 1990 Steppenwolf Theatre building in Chicago (Malkovich was one of the first members of the Steppenwolf Theatre Company, and remains one today) includes a half-floor used for storage.
• Charlie Kaufman sent the screenplay to Francis Ford Coppola after he wrote it. Coppola liked it very much and showed it to his daughter's husband, Spike Jonze. Jonze liked the screenplay so much that he approached Kaufman about directing the movie.
• In the scene in the Mertin Flemmer building lobby, when Craig browses the floor listings to find LesterCorp, the camera scrolls past the listing "Eric Zumbrunnen, CPA." Eric Zumbrunnen is the film's editor.
• Spike Jonze makes a cameo appearance as Derek Mantini's assistant. Brad Pitt also has a half-second-long cameo, as a miffed star in the documentary on Malkovich's career. He seems to be on the verge of saying something before the shot ends.
• The play that Craig was performing on a street corner with his puppets (when he gets punched by an angry parent) is based on the letters of Abelard and Heloise, written between 1115 and 1117 AD, which were found, copied and abridged by Johannes de Vepria, a 15th century Cistercian monk, into "Ex Epistolis duorum amantium" ("From the Letters of Two Lovers"). This became a classic document of early tragic romance, used by many artists in their work, including William Shakespeare in Romeo and Juliet. In addition, screenwriter Charlie Kaufman's later project, Eternal Sunshine of the Spotless Mind (2004), took its title and no small amount of inspiration from Alexander Pope's Eloisa to Abelard.
• A fictional behind-the-scenes glimpse of the making of this movie appears in screenwriter Charlie Kaufman's subsequent movie, Adaptation. (2002).
• Orson Bean, who played Dr. Lester, had a role in the film Innerspace (1987), which is also about a man taking control of another man's body.
• The scene when John Malkovich is hit in the head by a can thrown by a passenger in a passing car was originally not meant to be in the film, because the director thought it would be too hard to do. When John Malkovich asked the director to keep it in the movie, he asked the crew if they thought they could make the shot; half the crew put their hands up, and it was completed in the first take. Apparently, Malkovich was so happy with the shot that he bought all the crew members a beer.
• Craig's Dance of Despair and Disillusionment is choregraphed to the second movement of Bela Bartok's Music for Strings, Percussion, and Celesta.
• John Malkovich's middle name in the film is Horatio, while his real middle name is Gavin.

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